disciplines such as law, sociology, history, and
cultural studies, conducting a comprehensive analysis
of the legal boundaries of clothing equality and
freedom from different disciplinary perspectives.
From an academic perspective, equality law
ensures social fairness and justice, with equality and
freedom being its concrete manifestations in social
life. Exploring the legal boundaries of dress equality
and freedom can enrich the content of equality law
research, summarize the application characteristics
and development patterns of equality law in different
periods, promote the improvement of the theoretical
framework of equality law, and provide theoretical
support for addressing equality issues in other fields.
From a social perspective, the publics
understanding of clothing equality and freedom is
vague. Some people excessively pursue freedom at
the expense of responsibility and duty; others,
influenced by traditional beliefs, have biases against
others clothing choices. This study clarifies the legal
boundaries of clothing equality and freedom, helping
the public understand their rights and obligations,
enhancing legal awareness, reducing social conflicts
caused by clothing, and fostering a harmonious and
inclusive social environment.
2 FROM ANCIENT TIMES TO
MODERN TIMES: THE
EVOLUTION OF EQUAL
CLOTHING
2.1 Duke Huan of Qis Love for Purple
Reflects the Inequality of Ancient
Chinese Clothing
2.1.1 "Duke Huan of Qi Liked to Wear
Purple" Interpretation of the
Anecdote
Duke Huan of Qi favored wearing purple, and the
whole country followed suit. At that time, no one
could obtain a single piece of purple among the five
colors. This anecdote from "Han Feizi: Left Upper
Storage Sayings" vividly portrays the fashion trends
in Qi during the Spring and Autumn period. As the
ruler of Qi, Duke Huans fondness for purple clothing
sparked a widespread trend across the state, causing
the price of purple fabric to soar. Five bolts of white
silk could hardly be exchanged for one bolt of purple
cloth, profoundly illustrating how fashion influenced
market supply and demand. When Duke Huan heeded
Guan Zhongs advice and stopped wearing purple, it
soon became impossible for anyone in Qi to wear it.
This phenomenon highlights that under the feudal
hierarchy, the ruler had absolute control over fashion
trends, while ordinary peoples clothing choices were
dictated by the ruling class, revealing the inequality
in attire at the time.
2.1.2 Ancient Chinese Clothing and Ranks
Purple, in the ancient Chinese color system,
underwent a transformation from lowly to noble. In
early times, purple, as an intermediate color, was seen
as a symbol of impurity and lowliness. However,
Duke Huan of Qis fondness for purple broke
traditional notions. During the Sui and Tang
dynasties, the official dress color system was
established, with purple becoming the official color
for officials of the third rank and above, who wore
golden fish bags, thus solidifying its status as a
symbol of nobility.
In fact, "Duke Huan of Qis fondness for purple
robes" is merely a microcosm of ancient Chinese
attire and its hierarchical system. In terms of color, in
ancient China, clothing colors were closely tied to
social hierarchy. Primary colors such as blue, red,
yellow, white, and black were seen as symbols of
nobility and purity, while secondary colors were
considered lower in status. Yellow, starting from the
Sui and Tang dynasties, became exclusively for
emperors, symbolizing imperial authority;
commoners were not allowed to wear it, or they
would violate the law. In the official dress code,
during the Tang dynasty, officials of the third rank
and above wore purple robes, those of the fourth rank
wore deep crimson, fifth rank light crimson, sixth
rank dark green, seventh rank light green, eighth rank
dark blue, and ninth rank light blue, using color to
signify their rank and position(Song, 2023).
At the same time, the attire of different social
classes in ancient times showed significant
differences. Taking the court robes of Ming Dynasty
officials as an example, they wore a beam crown on
their heads, with the number of beams decreasing
according to rank: seven for first class, one for ninth
class. They wore red silk robes and skirts, fastened
with leather belts, adorned with jade pendants and
sashes, made of high-quality silk fabrics,
embroidered with exquisite patterns such as cranes,
highlighting their status (Kong&Gu, 2016).
In contrast, common people mostly wore coarse
cloth made of materials like hemp and ramie, which
were rough in texture, monochromatic in color, and
simple in style. Their tops were often short garments,