The Impact of Creative Marketing Strategies by Official Cultural and
Tourism Accounts on Consumer Behavior in the Cultural Tourism
Market
Ziqian Guo
Meishi Film Academy, Chongqing University, 40044 Chongqing, China
Keywords: Marketing Strategy, Tourism and Culture, Social Media, Consumer Behavior.
Abstract: In recent years, official cultural and tourism accounts on various social media platforms have increasingly
adopted creative marketing strategies for promotion. This study examines the impact of characteristics of
these contents, marketing methods, and account types on consumer behavior in the cultural tourism market.
This research adopts a questionnaire survey research method. The resulting data is analyzed using a regression
model, reliability and validity analyses, and a corresponding linear regression model. As a result, the different
natures of creative marketing contents themselves, the natures of official accounts and marketing methods
will impact consumer behavior. This research will explain the results from field theory and art world theory.
The research aims to suggest cultural and tourism official accounts on social media platforms to fully consider
aspects including creative marketing content’ novelty, relevance, timeliness and interactivity. Operators of
the official accounts should combine these variables with the natures of accounts to adopt appropriate
marketing methods in order to promote consumption in the cultural tourism market.
1 INTRODUCTION
The research considered the increasing trend of social
media platforms as channels of public information
access. At the same time, it noticed that a series of
cultural and tourism official accounts, like the
Chongqing cultural tourism official account on
Douyin (the TikTok in China), adopted brand-new
promotional strategies on social media platforms. The
operators adopted entertainment-oriented, creative
marketing methods. Therefore, it is referred to as
creative marketing strategies.
The result of this research is meaningful to the
participants in the cultural tourism market, especially
to the operators of the official accounts. The results
of this research can provide valuable insights for the
marketing of local cultural tourism official accounts,
and provide some suggestions for the operation of
official accounts on social media platforms. This
study mainly explores the different natures of creative
marketing content given by official accounts on social
media, the nature of these accounts, and the specific
marketing methods used, combining these varieties
with art world theory and field theory for analysis.
This research adopts a questionnaire survey to collect
data. This method’s advantage is possibly collecting
data with high reliability and validity while ensuring
an adequate sample size.
The goal of this research is to construct a
conceptual model about the different natures of
creative marketing strategies influencing consumer
behavior. To reach this goal, this study analyzes
questionnaire survey data with linear regression
analysis, reliability analysis, and validity analysis,
and makes relevant inferences.
2 LITERATURE REVIEW
In previous research, the study by S. Zhou et al. aims
at social media influencers' (SMI) narrative
strategies, providing reference to the division of
creative marketing content’s nature in this study
(Zhou et al., 2021). However, this research has
limited discussion on the nature of SMI itself. In
addition, the study of K. Spörl-Wang et al. analyses
predictive factors of SMI marketing strategies’
effectiveness and makes a comprehensive summary
of the results (Spörl-Wang et al., 2025). This research
prompts further analysis of the complexity and
diversity of social media platforms.
556
Guo, Z.
The Impact of Creative Marketing Strategies by Official Cultural and Tourism Accounts on Consumer Behavior in the Cultural Tourism Market.
DOI: 10.5220/0014145500004942
Paper published under CC license (CC BY-NC-ND 4.0)
In Proceedings of the 2nd International Conference on Applied Psychology and Marketing Management (APMM 2025), pages 556-560
ISBN: 978-989-758-791-7
Proceedings Copyright © 2026 by SCITEPRESS – Science and Technology Publications, Lda.
The research of Qian Lichun et al. adopted the S-
O-R model to investigate variables like participation,
interactivity, entertainment value and individualized
features (Qian et al., 2019). The results of Qian’s
study showed these elements positively effect
consumers’ social presence and immersive
experiences. Social presence and immersive
experiences positively impact consumers' purchase
intention. This result provides corresponding research
approaches. However, this study did not delve deeply
into the application of this model in specific fields
such as the cultural and tourism market.
The research of V.M.C.T.de Moraes and the
research of S. Wang discussed marketing strategies of
cultural and tourism department in Portugal and
museums in China, which enriches this research’s
references of examples (Moraes, 2023, Wang, 2022).
The study of T. Bastrygina et al. and the study of H.
Masuda et al. noticed knowledge gap between SMI
and consumers, and stressfully analyzed the influence
of gap on consumers’ purchase intention (Bastrygina,
2024, Masuda et al., 2022).
The studies by S. Hudson et al. and B. Armutcu et
al. both noticed the interaction between influencers
and users on social media platforms, which provides
some reference for the setting of interactivity
variables in this study (Hudson et al., 2015, Armutcu
et al., 2023). In addition, another research direction
focuses on the impact of the identification with online
virtual communities and community relationships on
social media platforms on the behavior of participants
(Zhang & Li, 2022).
Current existing research pays less attention to the
cultural and tourism market sector. Several studies
that noticed cultural and tourism market lack research
on the characteristic of official accounts’ marketing
strategies. Multiple research provided references and
specific analyzing variables. These research prove the
complexity of official accounts’ marketing strategies
in social media platforms from different research
directions.
3 RESEARCH METHODS
This research adopts questionnaire survey to collect
data, this method can collect relatively complete data
on the premise of ensuring sample size. The scale data
in the questionnaire survey helps to provide
correlations for the variables of this study through
quantified data.
A total of 201 valid questionnaire results were
collected in this study. The respondents are randomly
selected by gender, age and region. For the aspect of
social media platforms, the most frequent users of
Douyin, Little Red Book and WeChat Official
Account are randomly distributed, the proportions are
32.84%, 28.86%, 23.38% respectively. The number
of respondents who most frequently use Weibo is
relatively small, accounting for 14.93%.
As for the configuration of variables, this research
referred to existing literature. The construction of
novelty variables in the questionnaire survey referred
to consumer engagement with social media brand
posts conducted by Z. L. Hamzah et al. and the study
on social media content marketing by H. Ma and S.
Chelliah (Hamzah et al., 2021, Ma & Chelliah). The
construction of relevance variable referred to the
framework of social media marketing strategies
raised by the research of K. Chanthinok et al. and the
research result of social media image of tourism
destinations raised conducted by A. Z. Abbasi et al
(Abbasi et al., 2023, Hays et al., 2013). The relevance
refer to the relevance between marketing contents and
local culture and local tourist attractions.
The construction of the dimensions of timeliness
and interactivity in this study is mainly based on the
research of S. Hays et al. on the use of social media
as a destination marketing tool by national tourism
organizations (Kim & Fesenmaier, 2017). The
discussion on dimensions of accounts natures and
marketing methods referred to R. Minazzi’s study on
tourism and social media marketing in hotel industry
(Kong et al., 2021). The consumer behavior variable
dimension is based on tourism experience sharing
framework provided by J. Kim and D. R. Fesenmaier
(Gu & Qin, 2020).
The questionnaire in this study established the
likert scale for the 8 variables above-mentioned and
set three scale questions for each variable. To verify
the reliability of the collected questionnaire data, this
study conducted an analysis of the reliability and
validity of the questionnaire data and got 201 valid
and reliable questionnaire responses. To verify the
impact of creative marketing strategies by official
cultural and tourism accounts on consumer behavior
in the cultural tourism market, this research will
construct linear regression model: Consumer
behavior= β 0+ β 1*Novelty+ β 2*Relevance+ β
3Timeliness+ β 4*Interactivity+ β 5*Account
nature+β6*Marketing method+ε.
Among these variables, the Consumer behavior is
dependent variables, the Novelty, Relevance,
Timeliness, Interactivity refer to the nature of creative
content, and are the same as independent variables
with Account nature and Marketing methods.
Through this model, this research aims to analyze the
The Impact of Creative Marketing Strategies by Official Cultural and Tourism Accounts on Consumer Behavior in the Cultural Tourism
Market
557
impact and significance of these independent
variables’ dimensions on consumer behavior.
4 RESEARCH RESULTS
Internal Consistency Reliability (ICR) can reflect the
degree of correlation between questions in
questionnaire survey. The ICR is commonly
measured by Cronbach’s α coefficient. Cronbach’s
α coefficient is between 0 and 1, the α coefficient
larger means the degree of correlation between
questions is higher, and the ICR is higher. In general,
an α coefficient greater than 0.8 indicates excellent
ICR, while a coefficient between 0.7 and 0.8 indicates
good ICR, and a coefficient between 0.6 and 0.7
indicates normal ICR and could be accepted. A
coefficient lower than 0.6 indicates poor ICR,
suggesting the questionnaire scale needs to be
modified.
This research analyzed the reliability of 8
variables, and found Cronbach’s α coefficient
greater than 0.8, indicating the ICR among variables
is excellent. This study also analyzed the overall data
of the questionnaire and found the Cronbach’s α
coefficient is 0.916, indicating that the overall
reliability of the questionnaire is excellent.
This study also adopted the Kaiser-Meyer-Olkin
(KMO) coefficient and Bartlett's Sphericity Test to
analyze the validity of the results. The KMO
coefficient is between 0 and 1. The closer the KMO
coefficient to 1, the better the questionnaire's
structural validity. In addition, if the significant result
of Bartlett's sphericity test is lower than 0.05, it
indicates a good structural validity of the
questionnaire. As the result indicates, the KMO
coefficient is 0.879 and the significance of Bartlett's
sphericity test is 0.000, the Chi-Square value for the
test is 2110.013 (Sig.=0.000<0.01), indicating the
overall validity of the questionnaire is good.
The result of linear regression analysis can reflect
the influence of creative marketing strategies’
Novelty, Relevance, Timeliness, Interactivity,
Account nature and Marketing method to the
behavior of consumers in cultural and tourism
market. The result of linear regression analysis is as
shown in table 1.
Table 1: Setting Word’s margins.
Unstandardiz
ed
Coefficient
Standardize
d
Coefficient
t p VIF R2
Adjuste
d R2
F
B
Standard
Erro
r
Beta
Constant -0.149 0.287
-
0.51
9
0.60
4
0.445
0.42
8
F(6,201)=25.892,p=0.0
00
Novelty 0.178 0.068
0.16
8
2.63
9
0.00
9
1.41
0
0.445
0.42
8
F(6,201)=25.892,p=0.0
00
Relevance 0.167 0.072
0.14
8
2.30
3
0.02
2
1.44
4
0.445
0.42
8
F(6,201)=25.892,p=0.0
00
Timeliness 0.197 0.074
0.17
0
2.64
0
0.00
9
1.44
7
0.445
0.42
8
F(6,201)=25.892,p=0.0
00
Interactivit
y
0.139 0.066
0.13
5
2.10
7
0.03
6
1.43
7
0.445
0.42
8
F(6,201)=25.892,p=0.0
00
Account
Nature
0.183 0.069
0.17
3
2.63
8
0.00
9
1.49
8
0.445
0.42
8
F(6,201)=25.892,p=0.0
00
Marketing
Metho
d
0.154 0.067
0.15
3
2.31
7
0.02
2
1.51
5
0.445
0.42
8
F(6,201)=25.892,p=0.0
00
Dependent variable: Consumer Behavior
D-W: 1.932
The independent variables include novelty,
relevance, timeliness, interactivity, account nature
and marketing method, and the dependent variable is
consumer behavior. It can be concluded from table 1
that the model equation (not include insignificant
coefficient):
ConsumerBehavior=0.178*Novelty+0.167*Relevan
ce+0.197*Timeliness+0.139*Interactivity+0.183*A
ccount Nature+0.154*Marketing Method. In
addition, the R2 of the model after adjustment is
0.428, indicating the independent variables can
explain 42.751% reasons of consumer behavior
APMM 2025 - International Conference on Applied Psychology and Marketing Management
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change. The D-W value is close to 2.0, showing there
is no autocorrelation in this model. This indicates that
at least one independent variable has an impact on
consumer behavior, suggesting that the model is a
good fit.
The novelty, relevance, timeliness and
interactivity as inherent nature of creative marketing
content, show the significant positive impact of
consumer behavior. The account nature and
marketing method has significant positive influence
on consumer behavior.
5 DISCUSSION
T
he largest coefficient in this model is the coefficient
for timeliness, which is 0.197, indicating that the
timeliness of creative marketing content has the most
significant positive influence to the consumer
behavior. The operators of official accounts should
notice the degree of association between content and
current hot topics and internet trends and adopt a
consistently timed-release strategy.
The second largest coefficient in the model is the
efficient of account nature, which is 0.183. It
indicates the significance of creative marketing
content timeliness in the influence to consumer
behavior. In social media platforms, differences in the
nature of official cultural and tourism accounts will
also lead to differences in consumer behavior. From
the perspective of field theory, the content published
by the official accounts of government cultural and
tourism agencies has the highest credibility and
authority, occupying a very high position in the
industry. Taking the official account of Chongqing
Cultural Tourism on the Douyin platform as an
example, its content includes unique music,
Chongqing dialect voice-over, adaptation of
television and films, and humorous visuals. These
content create an interesting characteristic for the
official account and formed distinct contrast with
serious image in public’s stereotype. This contrast
narrowed the psychological distance between the
audience and the official account.
From the perspective of art world theory, cultural
and tourism official accounts play the role of creator
and curator in the art world. As the curators, such
official accounts also need to package local cultural
products and tourist attractions to make them conform
to the dissemination logic of the virtual world, and
display them on social media platforms. Take the
official account of Chongqing cultural tourism on
Douyin platform again, its content displayed many
tourist attractions, local cuisine and local cultural
landscape in Chongqing. Then as a curator, these
cultural tourism resources are packaged by creative
marketing strategies, such as editing techniques,
video visuals, and audio, to ensure that the work align
with the dissemination logic of platforms like
Douyin, thereby quickly capturing the audience's
attention.
The marketing of official cultural and tourism
accounts on social media platforms aligns with
industry regulations. First of all, the works of the
official account should conform to the public
aesthetic and aesthetic norms, so that the audience can
have a good viewing experience and aesthetic
enjoyment when watching. Secondly, the official
account needs to abide by the platform rules and push
mechanism of each platform, so that the work can be
viewed by more audiences. Moreover, the promotion
by official accounts should adhere to the ethical
standards of cultural and tourism publicity, avoiding
false advertising. Finally, the promotional content
should align with the sustainable development of
cultural and tourism products, meaning it should
avoid the destruction of tourism resources and
products.
Taking the official Chongqing cultural and
tourism account on Douyin platform as an example,
its content aligns with popular aesthetic preferences,
and the promoted cultural and tourism products are
aesthetically pleasing, adhering to aesthetic
standards. The account's content utilizes creative
editing techniques that capture the audience's
attention at the beginning of the video, precisely
targeting users and aligning with the dissemination
logic of the Douyin platform. The promotional
content is authentic, showcasing local cultural relics,
landscapes, and cuisine from Chongqing, aligning
with the true characteristics of the city. The
Chongqing cultural tourism official account focuses
on the sustainable development of cultural and
tourism products, conveying the concept of protecting
cultural and tourism resources to the audience.
From the linear regression model, it can be
concluded that the four natures of creative marketing
content have a positive effect on consumer behavior.
Creative marketing strategies also have a positive
impact on consumer behavior. Based on the research
of Qian Lichun et al., a possible reason is that creative
marketing strategies positively influence consumers'
sense of social presence and immersive experience
(Qian et al., 2019). In terms of interactivity, highly
interactive creative marketing content allows users to
identify with the online virtual community, thereby
stimulating consumer behavior. Taking Chongqing
cultural tourism official account on Douyin platform
The Impact of Creative Marketing Strategies by Official Cultural and Tourism Accounts on Consumer Behavior in the Cultural Tourism
Market
559
as an example, its content has a strong interactivity
with the audience, with frequent interactions in the
comment section. This fosters a sense of
identification with the online virtual community,
making users more likely to engage in consumer
behavior (Hamzah et al., 2021).
The operators of official accounts on social media
should carefully manage the inherent nature of the
marketing content, and combine the account's nature
with appropriate content positioning, at the same
time, use more creative marketing content to promote
consumer behavior. In addition, this model also
should consider multiple factors like market
environment, consumer behavior patterns, brand
nature to further improve and refine the above model.
6 CONCLUSION
The research findings of this study indicate that the
novelty, relevance, interactivity, and timeliness of
creative marketing content provided by official social
media accounts have a positive impact on consumers
in the cultural tourism market. In addition, the
account nature and the marketing strategies also have
corresponding positive impacts.
The further conclusion drawn from this study is
that the operator of official cultural tourism account
on social media platforms should find the balance
among four inherent natures of marketing content and
marketing methods and accounts’ nature. In that way
to maximize consumer behavior in the cultural and
tourism market.
Further studies should focus on the motivation of
consumer behavior and the corresponding triggers,
and engage in a deeper discussion of consumer
behavior in the cultural tourism market. It can also
suggest for a categorized discussion of consumers
from different fields, markets, or age groups, thereby
deepening the research depth in this area.
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