students from a certain university who exhibited
exam anxiety, including 12 males and 18 females.
During the research process, participants were tested
with the Test Anxiety Inventory (TAI) and screened
accordingly. Those with TAI scores of no less than 50
points were selected for further study, which included
these 30 students.
Researchers combined receptive music therapy,
re-creative music therapy, and improvisational music
therapy to design a group music therapy program
aimed at relaxing the mind and body, establishing a
sense of security, addressing test anxiety, releasing
and expressing emotions, reinforcing positive
experiences, building positive goals, and stimulating
peak experiences to integrate inner strength. They
divided 30 participants into a control group and an
experimental group, providing the latter with a 4-
week intervention. Each week featured different
themes, including one offline and one online activity,
totaling eight sessions over four weeks. During this
period, the control group received no psychological
intervention. After collecting data, the researcher
used SPSS 25.0 for descriptive statistics, independent
samples t-tests, and pre-test and post-test variance
analysis on the experimental group's data. The results
showed that the difference in TAI scores between the
experimental and control groups was statistically
significant (P < 0.001), indicating that the
experimental group's test anxiety levels were
significantly alleviated. Additionally, the physical
symptoms of the experimental group also improved
obviously.
While this study confirmed that group music
therapy effectively reduces college students' test
anxiety and physical symptoms, it is important to
acknowledge its limitations. The sample size was
small, and not all academic disciplines were covered,
making it difficult to comprehensively analyze the
effects of music therapy across different fields.
Furthermore, there was a higher proportion of female
participants, leading to gender imbalance, which
might affect the measurement data and research
outcomes. Lastly, the control group received no
intervention, so the differences between the groups
may not solely result from music therapy but from the
mere presence of activities in one group and their
absence in the other. Future research will aim to
increase the sample size, cover a broader range of
academic disciplines, ensure gender balance, and
improve the study design to enhance the
persuasiveness of the results.
In this study, researchers successfully integrated
receptive, re-creative, and improvisational music
therapies, demonstrating that group music therapy has
a positive impact on college students by effectively
reducing test anxiety and various physical symptoms.
Moreover, the therapeutic effects of group music
therapy have a certain level of sustainability,
continuing to benefit participants even after the
treatment ends. However, over time, the effectiveness
of music therapy may decrease, potentially leading to
a resurgence of test anxiety and physical symptoms.
Therefore, the researchers recommend regularly
conducting group music therapy sessions at schools
to prevent the recurrence of test anxiety symptoms.
Currently, due to uneven economic development
levels and resource distribution, music therapy
activities at universities across the country are limited
and mostly focus on receptive music therapy. For
example, Zhang Cong and Zhang Yuanyuan's study
on strategies for alleviating college students' anxiety
through receptive music therapy (Liang., 2024). The
researchers used this technique by having students
listen to and feel the music to regulate their emotions
and emotional states, thereby reducing academic,
social, and employment-related anxieties.
In Tao Zhenzhen's research on how receptive
Wuxing (Five Elements) music can regulate college
students' anxiety, the researchers pointed out that
receptive Wuxing music is based on the theory of
Wuxing music therapy and uses receptive music
therapy techniques. By listening to and feeling
Wuxing music in a quiet environment, different forms
and elements of the music correspond to the five
elements, aiming to balance Yin and Yang and their
mutual generation and overcoming relationships.
This method has the effects of regulating emotions,
relieving stress, and reducing pain, making it an
effective non-pharmacological treatment (Zhang &
Zhang, 2024). The researchers noted that although
several studies have found the regulatory effect of
receptive Wuxing music therapy on anxiety, there are
relatively few studies specifically targeting college
students. Therefore, this study aims to explore the
regulatory effect of receptive Wuxing music on
college students' anxiety to help more students lower
their anxiety levels, relieve stress, and improve their
psychological and physical health.
The study used a randomized controlled
intervention design, selecting college students from
Jiangxi University of Traditional Chinese Medicine
as participants. Those meeting the criteria were
randomly divided into three groups: the Wuxing
music group with 27 participants, the Western music
group with 27 participants, and the control group with
26 participants. The Wuxing music group received
receptive Wuxing music therapy, the Western music
group listened to major key fast music, and the