Digital Transformation of Luxury Brand Marketing in the Context of
e-Economy
Hongxuan Zhu
School of Chinese Language and Literature, Fuyang Normal University, Fuyang, Anhui, 236000, China
Keywords: Digital Transformation, Luxury Brands, e-Commerce, Millennials, Marketing Innovation.
Abstract: Under the new situation, China's luxury industry is already facing various problems. Consumerism has waned,
and the structure of the consumer base is changing--millennials are entering the luxury market, and e-
Commerce and digital marketing models are spreading. The development of the luxury industry is in dire
need of a revolution. This paper analyzes the necessity and path of digital transformation for luxury brands in
the context of the continuous development of the e-Economy. This paper argues that with the younger
generation of consumers and the online transformation of consumption patterns, luxury brands need to change
their traditional concepts and establish a digital marketing mindset. This article suggests that luxury brands
should cater to the tastes of new groups in pursuit of individuality, use new technologies such as NFTs, launch
co-branded products through live broadcasts, carry out "sinicization" reforms, gradually get rid of the
traditional "aristocracy", adapt to the new market environment, and make luxury goods become popular works
of art in the future.
1 INTRODUCTION
After the wave of consumerism subsided, people's
consumption concept became more rational and
pragmatic, while long-term home working has
contributed to the deepening development of online
trade. With the rapid development of e-Commerce in
China, many luxury brands are speeding up on
opening the Chinese market, but at the same time,
there are also conflicts between the positioning of
some luxury brands and the e-Commerce economy.
Around the world, Gen Z and millennials are growing
and are gradually becoming the main force of new
luxury consumption, whose aesthetic, worldview, and
outlook on life are also forcing luxury brands to make
changes that match The Times. At the same time, with
the development of digital technology, many top
luxury brands have expanded into the primordial
realm of business, which may seem like a bubble to
some outsiders, yet this is not the case in an economy
where 18 to 34-year-olds are expected to account for
50% of the luxury market by 2025. The development
of luxury games, digital products, etc., may make
young people more accepting of luxury brand culture,
which can encourage them to consume luxury goods.
But when the electronic economy and the Chinese
Internet metaphysical culture combine, some factors
that are very conducive to the development of luxury
goods have emerged. The electronic economy brings
both opportunities and challenges and in turn, luxury
goods also promote the development of the electronic
economy. Therefore, with the change in market
development background and the trend of younger
consumers, the luxury industry should further seize
the development opportunities to meet the
development challenges. Based on this, this article
analyzes the challenges faced by the luxury industry
and its influencing factors and analyzes the strategies
for its development on this basis.
2 NECESSITY OF
TRANSFORMATION AND THE
GENERAL DIRECTION
2.1 Social Environment and Changing
Concept
After the COVID-19 pandemic, the dramatic
transformation of people's consumption concept has
promoted a new round of revolution in the fashion
circle. Due to the pragmatic consumption concept,
people now prefer more neutral, more casual, and
more sporty wear. This could cause extensive damage
212
Zhu, H.
Digital Transformation of Luxury Brand Marketing in the Context of e-Economy.
DOI: 10.5220/0014111200004942
Paper published under CC license (CC BY-NC-ND 4.0)
In Proceedings of the 2nd International Conference on Applied Psychology and Marketing Management (APMM 2025), pages 212-216
ISBN: 978-989-758-791-7
Proceedings Copyright © 2026 by SCITEPRESS Science and Technology Publications, Lda.
to the luxury industry, which is entirely based on
traditional consumerist ideas. The high-profile
facade, the luxurious interior decoration, and the
attentive reception of the waiters. All these measures
aimed at creating an atmosphere of elegance and
dignity are no longer competitive in this new
environment. How to guide young consumers into the
luxury decoration style and extremely high standards
of service in physical stores is what to think today.
In the current prevalence of feminism, more
women recognize the diversity of beauty. Women are
no longer shackled by consumerism and appearance
anxiety and instead seek to show their beauty and true
selves. Based on this, luxury goods are also making
corresponding strategic adjustments. Some sales of
luxury goods started to release photos of ordinary
consumers wearing brand clothes on social media. To
some extent, these pictures become the motivation for
other consumers to purchase, because compared with
those celebrities, the successful dressing cases of
ordinary consumers can make people think that they
can also wear fashion effects. In doing so, brands
cater to a shift in consumer thinking.
Meanwhile, luxury marketing in the context of e-
Commerce is also facing challenges from the concept
of environmental protection. The transportation of
goods between offline stores and warehouses is
bound to consume transport packaging and generate
carbon emissions (Thompson, 2021). Moreover, the
excessive packaging of luxury goods may cause some
people's aversion, not to mention that the new
generation is more aware of sustainable development.
2.2 New Consumer Group
Combined with the change in the main consumer, the
luxury industry has to cater to the new tastes of the
millennials who have a lot of access to the Internet,
especially Instagram, WeChat, Little Red Book, and
other social media. They are more willing to express
their individuality, and cool culture and subculture
have become a mainstream culture among young
people, which is different from the traditional luxury
culture. When designing digital marketing ideas,
more consideration should be given to their new
aesthetic and the actual needs of the new generation
of consumers. Not only is it about personalizing the
product but also thinking about the value they want to
get from luxury (Okhmatovskiy, 2023).
What's more, since women have long been the
main buyers of luxury goods, it is important to attract
more male customers using what men are interested
in, such as metaverse, NFT, and gaming. Many
international stars and Internet celebrities have been
sought after by many fashion bloggers because of
their luxury and fashion wear, and professional
jewelry designers have also begun to popularize the
necessity of men wearing jewelry on the Internet.
This "Walking Hormone" trend is gradually breaking
the stereotype that men look feminine when wearing
jewelry. In a study of the Korean market, it was found
that men are more into luxury NFT products than
women, which can help attract more male consumers
(Sung et al, 2023). This, to some extent, has triggered
the development of luxury goods in the field of meta-
universe and NFT and unexpectedly achieved a nice
result. For example, Bulgari's NFT advanced
necklace Beyond Wonder uses sophisticated
techniques to set precious stones, yet some
miraculous details can hardly be aware of. Thanks to
the NTF can people appreciate it as real beauty. NFTs
can provide assurances for copyright and ownership
of digital items, verify transaction transparency, and
authenticate digital art using blockchain technology
(Sung et al, 2023). Consequently, NFTs have become
distinctive, verifiable, and easily tradable digital
assets. Since the time of Louis XIV, technology has
perfectly demonstrated its great driving force for
innovation in the luxury industry, and the
development of the meta-universe of luxury and NFT
is the product of the Internet 3.5, Industry 4.0. Games,
as a new channel to reach sales goals, are more like a
side business that can be used to motivate consumers
to buy. The four sets of skins sold by Balenciaga on
Fortnite and Gucci Bee, and Gucci Grip games
produced by Gucci are typical cases. The sense of
accomplishment players get from their virtual
characters can guide them to get immersed in the
game, and the dependency generated will allow them
to engage in relevant community discussions and
transactions between players, which will ultimately
lead them to the luxury world and begin to consume
them (Milanesi et al, 2023). Therefore, luxury brands
can create a complete game system on the e-
Commerce website to deepen their independence and
uniqueness.
2.3 The Popularity of Digital
Marketing
While the traditional physical store business model is
breaking, people are more aware that the online
marketing model could bring people great
convenience, and consumption patterns have already
evolved. The huge market of e-Commerce has
Digital Transformation of Luxury Brand Marketing in the Context of e-Economy
213
already attracted various brands. Since the underlying
logic of business has already changed, that is, from
operating products to operating customers, luxury
brands have to capture and hold their market, or, they
will never be able to attract new consumers, which
could lead to a loss of old customers (Li, 2024).
Digital media is a huge draw for millennials, and
millennial attitudes have led to the popularity of
social media. Social media such as Instagram, which
has long been an important platform for millennials
to discover fashion trends, is being used by luxury
brands and Internet celebrities. Small Internet
celebrities with less than 50,000 followers have
higher fan loyalty on the contrary. Therefore,
updating brand marketing strategies according to the
characteristics of today's social media information
dissemination has become an important trend for
brands to achieve information development. For
example, many fashion brands have found that
instead of paying high prices for celebrities' push, it
is even better to find lots of small influencers to
promote their products. Virtual influencers,
meanwhile, are gaining luxury brands' focus, such as
Noonoouri, who appeared in a video having breakfast
with VOGUE's creative director, and Miquela Sousa,
who was signed by Prada. Advertising agencies have
developed new businesses as a result, for example,
Publicis Omnicom has reluctantly started preparing
scripts and marketing services for influencers, which
is a combination of Internet celebrity and luxury
brands realized by artificial intelligence technology
(Thompson, 2021).
3 ATTEMPTS AND
SUGGESTIONS TO INNOVATE
LUXURY BRANDS
3.1 Develop Online Sales Channels
First of all, it is necessary to focus on broadening
sales channels and making full use of the advantages
of social media to develop online marketing
strategies. Many corporations, for example, the
Channel, have developed online shopping channels.
Channel is, to some degree, a brand that deeply
implements the classical concept of luxury circle
while other brands such as Louis Vuitton, Dior, and
Yves Saint Laurent, have more business online.
However, some limited, one-to-one private orders are
still been restricted in physical stores, some even are
regionally limited. At the other end of the spectrum
are Ralph Lauren and Tommy Hilfiger, whose
products are relatively inexpensive. Balancing the
accessibility and inaccessibility is what to do in this
new business climate. The means to show products
are not ameliorating either. Some customers are not
used to one-on-one guidance services. These could
propel consumers to check the price and compare
products carefully online before offline purchases.
Therefore, the online display should be meticulous
enough to attract consumers (Akram & Lavuri, 2024).
Accessibility in e-Commerce was found to have a
slight significance on luxury (Pulli, 2024). When
consumers view Prada Re-Edition handbags on
shopping platforms, they can rotate the model to get
a 360-degree view of this exquisite luxury. This
technology of displaying products provides a richer
shopping experience. As a result, luxury brands can
take full advantage of the possibilities of information
technology in online sales channels and highlight the
advantages of their products.
3.2 Cooperate with E-Commerce and
Second-Hand Trading Platforms
The development of some large luxury e-Commerce
platforms that integrate multiple resources is a chance
for luxury brands to expand their business. These
platforms are now providing buyers with the same
emotional value in the shopping process as offline has
become an important means of attracting customers.
With Jingdong's provision of the "JingZunDa"
service, consumers can pay an extra 99 RMB to enjoy
a series of private services such as the delivery of
goods by a chauffeur, which meets the psychological
needs of the middle and senior groups of customers.
This is a case worthy of reference for luxury brands
that want to expand their online marketing market.
Under the new consumption pattern of luxury
goods triggered by the sharing economy, the second-
hand luxury goods sales, rental, and authentication
industries are booming. Some of those who endorse
conspicuous consumption simply want to post
pictures on social platforms like Instagram or WeChat
moments of them driving luxury cars or checking into
a luxury hotel wearing a fancy dinner dress (Ruiz &
Cruz, 2023). Without actually buying these luxuries
at full price. This temporary consumption seems bad
for the sale of luxury goods, yet the prosperity of the
second-hand luxury goods market will eventually
affect sales, for example, those businesses selling
second-hand luxuries will inevitably purchase new
styles. People who regularly rent luxuries will
generate the idea of "having a luxury of their own",
which can indirectly boost the sales of luxury goods.
As a result, brands should strengthen their
APMM 2025 - International Conference on Applied Psychology and Marketing Management
214
cooperation with second-hand luxury goods e-
Commerce, or even launch their own luxury rental
and recycling business.
3.3 Brand Localization and
Cross-Industry Track
Based on the common understanding of global brand
localization, luxury brands should learn more about
Chinese culture and Chinese aesthetics. The choice of
models used to endorse products greatly affects
consumers' purchase intention. Most Asian people,
for example, do not find boob eyes and a flat nose
attractive, yet some brands choose Asian models who
happen to have exactly these characteristics, which is
counterproductive to marketing. These brands do not
understand the aesthetic taste of consumers, as a
result, they are ridiculed by consumers for not
understanding local culture. This is also true of the
values that luxury goods want to convey. The 2018
film Crazy Rich Asians is a typical case of failure.
Many luxury brands competed to sponsor the film to
appear in it, hoping that the clothes featured in the
film would leave an impression on Chinese
audiences. However, due to the differences between
Asian culture and Chinese culture, and Chinese
people have long been desensitized to the president's
literature, the film, which has sold out in North
America, has had a poor reputation and box office in
China. In 2023, Louis Vuitton released a new edition
of the Louis Vuitton Shanghai City Guide, and built a
pop-up space by the Suzhou River, one of Shanghai's
landmarks, to sell LV books and gifts. LV's "Nong
Hao Shanghai" hashtag had received more than 1.78
million views on Little Red Book up till the end of
2023, leading to intense attention and discussion
among netizens.
Based on the background of the electronic
economy, luxury companies should also expand the
cross-border circuit. As millennials and Generation Z
comprise the vast majority of Internet users, a variety
of young people's favorite IP co-branded products
emerge more 3and more. Fendi cooperated with
Chinese milk tea brand Hecha to launch the "Fendi
Joy Yellow" tea drink, which is a tribute to the
classical yellow DNA, and partnered with Hecha to
open a month-long "hand in hand" tea room in Beijing
while selling tea based on the traditional Yi spice
"majiang seed". This series of events has aroused
wide repercussions among young Chinese
consumers. The "hand in hand" project, which aims
to spread Italy's excellence in craftsmanship, was
hotly discussed on social media. This is a successful
cross-border cooperation between luxury brands and
the beverage industry, which has a high demand for
inspiration.
At the same time, the increasing threshold of
cross-border cooperation has put forward higher
requirements for luxury companies. As the majority
of fashion houses' innovation operations are separate
from management functions, designers' ideas need to
be approved by executives who do not know much
about fashion. Therefore, the reform of senior
management to be younger and more professional is
urgent. Brand consultants should also be versatile and
talented with experience in multiple fields to facilitate
the quick search for inspiration in cross-border
cooperation. However, the ideas that designers
generate while "sitting at their desks" may not
necessarily win the approval of consumers, so it is
indispensable to listen to the attitudes and ideas of the
target consumers when developing new projects.
3.4 Innovative Marketing Model
Luxury brands should focus on exploring consumers'
preferences and preferred consumption paths. Based
on the current trend of continuous development of e-
marketing, live streaming has become a form of
marketing and sales that cannot be ignored.
Science China's live-streaming ranks first in the
world, luxury brands should put their efforts mainly
into the field of live streaming industry when
exploring the Chinese market, which owns the
world's largest online luxury retail industry (Wu,
2023). Establishing real-time communication
between live broadcast hosts, co-hosts, and viewers,
namely consumers, can effectively narrow the
distance between brands and customers. Under the
precondition of ensuring that keep the brands'
"luxury" attribute, brands can appropriately give up
the rules of none price reduction and none discount,
such as offering limited-time discounts from time to
time to better integrate into the Chinese e-Commerce
festival culture, which is also very willing to be seen
by the consumers.
Louis Vuitton's first live broadcast on Little Red
Book in 2020 is a typical case of failure. Since the
decoration style of the live broadcast room was very
similar to that of the promotional online store, and the
technical restrictions prevented consumers from
directly accessing the official website in the live
broadcast room, this live broadcast was hosted by
famous actresses and Internet celebrities contributed
poor sales (Li, 2024). Surprisingly, four years later, in
July 2024, the same live broadcast room of Louis
Vuitton set a new marketing record for a single live
streaming. This time, LV not only uses the
Digital Transformation of Luxury Brand Marketing in the Context of e-Economy
215
representative of "Cute" culture in China's Generation
Z, the "inflatable animal toy", as a collective memory
carrier but also provides a novel way of interacting:
An 100 minute "resee live broadcast" to the show,
online consumers gain a same shopping experience as
VICs. Not only can they observe the new products in
the early fall of 2024 in HD lenses and detailed
lighting, but can also book offline experience quota
(Gao & You, 2024). These products itinerant
exhibition all around China. According to the cases
mentioned above, the luxury sales studio should be
different from the ordinary promotion studio by
adding the introduction of the craft, brand story, and
local highlights which can make consumers feel
close. The announcement and promotion before the
live broadcast, the resumption, the tour, and one-to-
one customization after the live broadcast can also
make the live broadcast effect better. This
combination of online and offline allows brands to get
current feedback from the consumer side to make an
accurate estimate of production and more effective
inventory management.
4 CONCLUSION
Fashion watcher Miriam Varadi believes that luxury
goods, religion, and art have a lot in common: All
three aim to give people an intangible value beyond
themselves. Art can build a bridge between luxury
culture and young people. Art can be as difficult to
understand as philosophy, or it can belong to the
public. To cater to the tastes of new consumer groups
and gradually adapt to the new consumption
environment and marketing model is what luxury
companies have to do in the new era. In the future,
luxury goods should strive to get rid of the traditional
"nobility", and become a popular art that is expensive
but not too high-profile, elegant but also within reach,
and towards a broader market.
REFERENCES
D. Thompson, The curious economics of luxury fashion:
Millennials, influencers and a pandemic. Don
Thompson (2021)
I. Okhmatovskiy, Metaverse in luxury e-Commerce, Ph.D.
thesis, Nova School of Business and Economics (2023)
E. Sung, O. Kwon, K. Sohn, NFT luxury brand marketing
in the metaverse: Leveraging blockchain--certified
NFTs to drive consumer behavior. Psychol. Mark.
40(11), 2306-2325 (2023)
M. Milanesi, S. Guercini, A. Runfola, Let's play!
Gamification as a marketing tool to deliver a digital
luxury experience. Electron. Commer. Res. 23(4), 2135-
2152 (2023)
J. Li, The tragedy of being forced to delist "the first share
of luxury e-Commerce". China Bus. News C01 (2024)
U. Akram, R. Lavuri, Understanding the consumer's luxury
web rooming intention: Moderating role of perceived
risk and review. J. Consum. Behav. 23(3), 1602-1619
(2024)
L. Pulli, Luxury fashion e-Commerce strategies: The
effects of accessibility in e-Commerce on luxury fashion
purchase intentions (2024)
C. Diaz Ruiz, A. G. B. Cruz, Unconventional luxury brand
collaborations: A new form of luxury consumption
among young adults in China. Int. Mark. Rev. 40(7), 1-
21 (2023)
D. Wu, Luxury e-Commerce companies compete in the
Chinese market to provide services that money can not
buy. CBN Daily A12 (2023)
Q. Li, On the feasibility of live commerce for luxury brands
in China: A case study of Louis Vuitton's first live
streaming event on Little Red Book. In Proceedings of
the 4th International Conference on Informatization
Economic Development and Management, IEDM 2024,
Kuala Lumpur, Malaysia, February 23-25 (2024)
J. Gao, Y. You, Luxury 618 new record online "enclosure"
non-stop. 21st Cent. Bus. Herald, 011 (2024)
APMM 2025 - International Conference on Applied Psychology and Marketing Management
216