dualization of gender to some extent (Director,
2017). After studying the fan fiction about male
pregnancy works from the TV series
Supernatural, Åström described it as
"Conventional stories set in a very
unconventional universe" (Åström, 2010). These
articles listed some specific phenomena, such as
the author after the pregnant men will be more
sensitive, more emotional, more so-called
"feminine", and such as the authors in writing a
become Omega male will emphasize his soft,
"feminine" side; they think this behavior
embodies the traditional gender stereotypes.
3.3.2 Problem Thinking
Through the research, this paper presents a
different view. Because of the particularity of
humanistic themes, the characters who are
"transgender" or "ABO" are mostly not because
they are influenced by traditional gender
concepts in the process of being "sexual" or
"ABO", but because the characters themselves
have the characteristics of "transgender".
The author said in the interview, "I like the
kind of cute little boy who is a little "feminine",
intersex, sexual turn is suitable for him."
The role of "transgender" by the authors, by
the authors like by the author's second creation,
also shows that the authors now (including the
original author and fan fiction authors) are more
able to accept a gender who do not conform to
the gender norms of personality, which can
further reflect on gender norms, reduce the role
of "transgender" recessive oppression. In
conclusion, this paper believes that it is
unreasonable to measure the traditional rigid
gender concept conveyed by authors with the
"transgender" of roles after "sexual
transformation" or "ABO". The character is
"endowed by (the author)" the "gender attribute"
in another traditional impression, and these
"gender attributes" are inconsistent with the
original "gender attribute" or character, thus
changing the character of the character. This
phenomenon is called in fan fiction by "OOC"
(out of character).
At the same time, in the interview with the
author can conclude that some of the found OOC
with fan fiction "data" tend to be worse than not
with fan fiction, some are because, like the
original character will write in the fan fiction,
subjective is not willing to change the character,
so they will try to avoid in the process of OOC.
So, through the above research, this paper found
different phenomena, namely the authors
intentionally avoid OOC, the authors, for various
reasons, the role of "transgender" or "ABO" will
deliberately weaken the influence of traditional
gender ideas, so that the character is more like
their character in the original, make different
personality in different gender, leading to further
analysis of gender. The social reaction to those
gender characteristics is embodied differently,
thus bringing sex back to the forefront of
analysis (McClellan, 2014). Gender-swap stories
involve the re-sexing of an existing character
without necessarily altering their character
(Oulton, 2022).
However, according to the author's interview,
they will also unconsciously be influenced by the
traditional ideas of the characters to make slight
changes, but these changes do not reach the
extent of OOC within the scope of the author
herself and most readers.
Even if the above phenomenon does not mean
that the influence of the traditional concept of
gender is completely eradicated, it can also
reflect the dilution of the influence of the
traditional concept of gender in the genre to a
certain extent, and the character will no longer
change dramatically due to the change of gender.
The authors' writing with gender diversity
reflects the mobility of gender, after creating
special societies different from traditional
societies or common sense, Inulating the original
gender while retaining the character, In this way,
fan writers convey the idea that character does
not change by gender, This is exactly the
argument between writing and humanity that
gender is "natural" and "inevitable" while
"deconstructing" and "redoing" gender (Butler,
2004; Deutsch, 2007). Using the character's
original character to bring new possibilities to a
stereotyped gender. In the process, the authors
subtly advertise that all genders, whether male or
female, are either in a socially weak or strong
position and are free to adhere to or develop their
character and their personality background. This