With the continuous expansion of short video user
base and market scale, the conflict of interest on the
second creation of short video gradually surfaced.
Although the China Network Audiovisual Program
Service Association has issued the "Rules for Online
Short Video Content Review Standards" on
December 15, 2021, which clearly prohibits
unauthorized cutting and adaptation of audiovisual
programs and their clips, such as movies, TV dramas,
and online movies and TV dramas, relevant disputes
still occur frequently due to the limited binding force
of the regulations(Cai, 2024). However, some
secondary creators arbitrarily dispose of films, TV
plays and other works without authorization, or
convert them into part of their own works, which
infringes on the copyright of the original authors and
constitutes double damage to the rights and interests
of the original works and their creators. Therefore, in
the process of promoting the future development of
secondary creation, it is necessary not only to protect
the audience's freedom to deconstruct and recreate the
original text, but also to effectively protect the
copyright of the work and the reputation right of the
creator according to law, so as to balance the
relationship between innovation protection and the
rights and interests of the original.
As a new and dynamic force, the second creation
of short video has been widely penetrated into our
daily life and become a universal cultural
phenomenon. As a new form of cultural expression,
the second creation of short video is deeply rooted in
the Internet, and the Internet also provides fertile soil
for its prosperity.
However, the academic research on the copyright
infringement of the second creation short video is still
insufficient, and there are many mysteries and
disputes to be solved. This paper aims to fill the gap
in this research field and deepen the cognition of
short video copyright infringement. Through a
comprehensive and systematic study, this paper will
further reveal the intrinsic nature and operation rules
of the infringement problem of secondary creation
short video, laying a solid theoretical foundation for
subsequent academic research and judicial practice.
At the same time, the in-depth discussion of the
infringement problem of the second creation of short
video will also reveal the challenges and
shortcomings of the existing copyright legal system
in dealing with this new field. Through the detailed
analysis and conclusion of specific cases, this paper
will point out the limitations of current laws in
defining the scope of reasonable use of short videos
created twice and judging the composition of
infringement acts. These research results will provide
valuable suggestions for improving the copyright
legal system, and promote the legal system to keep
pace with The Times and constantly optimize. In
addition, the research and demonstration of this paper
spans multiple disciplines such as law,
communication, information science, etc., and
requires comprehensive use of multidisciplinary
knowledge and methods for interdisciplinary
research. This interdisciplinary research method not
only helps to deepen the understanding of the
infringement problem of short video, but also
promotes the communication and integration between
different disciplines, and promotes the development
and progress of related disciplines.
2
APPLICATION OF THE FAIR
USE PRINCIPLE IN THE
INFRINGEMENT DEFENSE OF
SECOND CREATION SHORT
VIDEO
2.1 The Reasonableness of the
Protection of Second Creation Short
Video
As a new cultural phenomenon, the protection of the
second creation short video has great public interest
value. Re-created short videos are often adapted and
innovated on the basis of existing works or materials,
which contributes to the wide dissemination and
sharing of information and enables more people to
have access to diversified video content (Li, 2019).
Moreover, the production threshold of the second
creation short video is low, and its popularization can
enrich the public's cultural and entertainment life. The
production threshold is low, and the general public
can also participate in the creation, which will not
only increase the public's sense of participation in
cultural products, but also promote the overall
cultural literacy of the society(Yao, 2024). Moreover,
the second creation of short videos often contains
comments and reflections on social phenomena,
which can be used as a window to observe and
understand the social dynamics, and play an
important role in promoting public discussion and
improving social awareness.
The protection of re-created short videos can also
promote cultural prosperity. Secondary creation is not
only a re-use of original works, but also a catalyst for
new ones(Xu, 2024) . It encourages creators to
innovate on the basis of respecting original works,