In E-Commerce Era: Cracking Infringement Issues in the Clothing
Industry by Design Patents
Jing Ye
School of Law, Hainan University, Haikou, Hainan, 570228, China
Keywords: Design Patents, Clothing Industry, Electronic Commercial Platforms, Infringement.
Abstract: Rights holders and consumers have been negatively impacted by infringement issues in the clothing field as
e-commerce explodes in recent decades with imitations. The paper studies how design patents can crack in-
fringement issues with its best efficiency. Although there are copyright law and patent law safeguarding these
legal issues, copyright law has its threshold for clothing, which creates a significant loophole for plagiarism.
This makes researching design patents a better way for right holders to defend their designs. Unfortunately,
application time for design patents is too long for clothing industry as clothing cycle lasts approximately four
months, while application process normally undergoes six to eight months. The application progress makes
designers to uphold their rights difficult, therefore, shortening time cycle is the priority. Furthermore, author-
ities can reference ways such as concept of unregistered designs and combination of design patents and other
rights, protecting the same design with different rights simultaneously.
1 INTRODUCTION
Despite the existence of the fake fashion phenomenon
for 150 years, the contemporary counterfeit fashion
industry including clothes has transformed into an
unparalleled force, surpassing any previous era and
exerting a significant negative impact on both
genuine fashion brands and customers (Araujo,
2024). Additionally, the appearance of electronic
commerce provides counterfeit fashion products a
global platform to a wider audience (Araujo, 2024).
Technically, both copyrights and design patents are
able to deal with the infringement problems in the
clothing industry, in China, anti-unfair competition
law and trademarks can also play a significant role in
tackling infringement problems. It appears that the
most logical and ideal path for designers to protect
their "original works of authorship fixed in any
tangible medium of expression" is through receiving
copyright protection. However, in most regions,
including America and China, copyrights only protect
clothing being separable from the useful article
instead of protecting it as a whole, meaning if the
design on a piece of clothing is in any way functional
or useful, it cannot be protected by copyrights. In
other words, only the two-dimensional design on a
clothing item is protectable if it is an original work of
authorship. This regulation causes a legal loophole
used by plagiarists, claiming they are using three-
dimensional designs or referencing the design in
question yet not copyrighted drawings (Li, 2021). In
that case, it is crucial to discuss design patents as
another alternative solution to crack such difficulties
in the clothing industry and according to Chinese
patent law, article 42, once applied, people of interest
can have this right for 15 years. This article will first
explain the legal loophole copyright exists
specifically, then delve into reasons to research
design patents, legal problems design patents have
and the dilemma designers face as right holders, and
finally present some of the legal improvements that
can be referenced by Chinese authorities and
researchers.
2 PROBLEMS AND REASONS
2.1 Legal Loophole in Copyrights
Chinese courts tend to hold the position that the
reproduction of clothing design does not reflect in the
reproduction of aesthetic art, therefore it is not a
reproduction within the meaning of copyright law,
while the reproduction of clothing samples
constitutes the concept of the reproduction in the
copyright law (Yi, 2021). However, for the
Ye, J.
In E-commerce Era: Cracking Infringement Issues in the Clothing Industry by Design Patents.
DOI: 10.5220/0013962200004912
Paper published under CC license (CC BY-NC-ND 4.0)
In Proceedings of the 1st International Conference on Innovative Education and Social Development (IESD 2025), pages 23-26
ISBN: 978-989-758-779-5
Proceedings Copyright © 2025 by SCITEPRESS Science and Technology Publications, Lda.
23
reproduction of clothing samples, there is a limitation
that only clothing whose practicality and artistry can
be independent of each other can be safeguarded by
copyrights as a work of art, leading to a situation that
not all the clothing is included in the copyright law
(Yi, 2021). Lawyers and professionals may suggest
designers to protect their clothing designs by splitting
them into constituent elements if elements in clothing
are original, which may also achieve the effect of
preserving their rights (Li, 2021). Still, there are some
problems with this method, for instance, the
patentable components of fashion design (i.e.zippers,
buttons, etc.) are minimal, meaning some of the
components are not able to be protected (Mills, 2009).
In 2020, the Beijing intellectual property court judged
a case, LINC Chic company sued Bosideng company,
claiming the latter company infringed on their
clothes, while the court suggested and finally
convinced Bosideng company did not infringe LINC
Chic’s clothes, as the court said: Whether it is the hat
design, pocket zip design, slanted pockets with
graphics and logos under the right pocket or the
dovetail design, zip design and pocket design, they
are all the usual designs and combinations commonly
used in garments, which could not be protected by
copyrights (People's Court of Xicheng District,
Beijing, 2018; Beijing Intellectual Property Court,
2020). Moreover, in this case, the court also
mentioned that the artistic beauty of a garment on
clothes cannot be separated from its functionality
(People's Court of Xicheng District, Beijing, 2018;
Beijing Intellectual Property Court, 2020). In judicial
practice, courts hardly identify the judgement of
originality, the judgement of ‘contact plus substantial
similarity’ and define copying (Li and Ren, 2021).
The defects of using copyrights as a legal weapon to
protect designs are unfriendly to the clothing industry
and cause designers to find it hard to defend their
designs as safeguarding rights consumes a large
amount of time and money, yet may eventually turn
to failure.
2.2 Reasons times Explore Design
Patents
Despite professions argue existing copyrights, design
patents and other relevant laws are enough to tackle
the infringement problems, however, firstly, the
safeguarding path through copyrights is not straight-
forward and simple, rather than acquiring rights to an
entire garment, image, or “look”, designers must
compartmentalize a piece of fashion into its
functional, also consuming countless efforts yet may
without a successful result (Mills, 2009). Moreover,
using the trademark as a protection also has a flaw
and risk. In 2017, Gucci, a worldwide known luxury
brand, sued Forever 21, a fast fashion company,
claiming this fast fashion company has infringed their
trademarks, which consist of three bands of specific
depictions of green-red-green and blue-red-blue color
combinations. However, Forever 21 soon required the
court to cancel Gucci’s exclusive trademarks
registration, which led to the trail complicated and
had potential risks for their exclusive registered
trademarks (United States District Court Central
District of California, Western Division, 2018). Not
only the trail Gucci in America, but also other brands
face this type of risk for different reasons as
trademarks can be withdrawn, making trademarks not
a capable weapon to protect designs. For example, in
2013, the authority in the United Kingdom revoked
Gucci’s GG trademark after nearly 20 years on the
United Kingdom register (Worldip, 2018). In the
same year, The China Trade Mark Office (CTMO)
has canceled Burberry's trademark on its signature
tartan pattern the mark on non-use grounds (Worldip,
2018). Additionally, once applicators are succeeded
in getting their clothes a design patent, then dealing
with infringement problems would be easier and more
straight-forward, as design patents are different from
copyrights in that an accused infringer has no defense
of independent creation, as well as the whole clothes,
would be protected instead of a part of clothes or art
of work with originality in two dimensions (Locke,
2005).
3 IMPERFECTION OF DESIGN
PATENTS
The main condition for registration of design patents
is absolute novelty. Absolute novelty means the
design must not be disclosed in any form prior to
registration (Tarverdi, 2022). However, there is a
huge legal imperfection design patents face, which is
the application time are too long for seasonal clothing
industry. It can take six to eight months for an
application to be processed, making design patents a
vase because a clothing cycle is around four months
and this delay makes design patents ineffective to
right holders in the clothing industry (Tarverdi,
2022). The delay affects the right holders of the patent
exclusive, facing the risk of copying and imitation,
moreover, the electronic commercial platforms have
contributed to these such chaos on a large scale.
IESD 2025 - International Conference on Innovative Education and Social Development
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4 DILEMMA DESIGNERS FACE
With clothing trends constantly evolving and
changing, fast fashion companies like Shein have
taken the world by providing customers with cheap
clothing that will show up on their doorsteps in days,
not to mention this type of corporation has its own
electronic commercial platforms or prominent
presence on TikTok, Instagram and other large social
media, through influencers, marketing and
advertising, which even offers more convenience to
their members (Gardner, 2024). However, this
situation sacrifices independent fashion designers,
whether big and small, having them face an ongoing
challenge: ideas and designs stolen which are then
directly or indirectly replicated by international
companies for a fraction of the price (Gardner, 2024).
Moreover, many designers are unable to fund the cost
of litigation against fast fashion brands who have
virtually unlimited resources and even budget a set
amount of money each year to pay settlements’
(Palladinetti, 2023).
To electronic commercial platforms, the official
administration transfers part of its power to these
platforms, hoping they can play a monitoring role in
digital markets and easing the infringement problems,
and eventually protects the intellectual property rights
(Wang and Yang, 2022). It seems a good mechanism
for the protection of intellectual property rights and
right holders, however, in the process of specific
implementation, while making the electronic
commercial platforms bear too many obligations, the
lack of necessary professional assistance from
administrative organs also affected the enthusiasm of
the platform to safeguard its rights (Wang and Yang,
2022). On the other hand, the e-commerce platform is
essentially a commercial subject, pursuing profits is
its ultimate goal, fairness and justice are not the value
orientation of the platform, and it is easy to abuse
private rights in the process of exercising power
(Wang and Yang, 2022). In such conditions, the rights
supposed belonging to designers are not well-
protected and subjects of tort are also likely to argue
based on some legal loopholes, while electronic
platforms do not clearly judge these legal problems as
they are not essential law enforcement.
5 SOLUTIONS
First of all, the prior solution is shortening the
application time, while balancing the review quality,
so that the design patents can be an effective right in
the seasonal clothing industry. Secondly, the
European Union implemented a new, unique design
right covering unregistered designs, which is a design
that could be protected automatically without
registration for three years since it was disclosed to
the public and has presented the world with a way to
protect right holders better, as well as in the UK
(Witzburg, 2017). Chinese patent law has a similar
regulation, in article 24, it says in some of the
conditions the invention does not lose its novelty in
six months, however, conditions do not include such
as a disclosure taking place on the catwalk or in-store
and publication in magazines or trade journals, which
is not a beneficial and relevant provision to clothing
industry. The British label Karen Millen initiated
legal proceedings against Dunnes Stores in January
2007 based on an unregistered Community design
right in its apparel, and sought an injunction and
monetary compensation from the Irish High Court.
Then Dunnes Stores subsequently appealed to the
Irish Supreme Court, which stayed the proceedings
and referred two questions to the Court of Justice of
the European Union, which ultimately determined
that (1) for the purposes of individual character, the
overall impression a design produces on a user must
be different from that produced by a design or designs
taken individually, and (2) the right holder does not
need to prove the individual character of the
unregistered EU design in the infringement action;
the right holder need merely indicate the features
giving rise to the individual character of the design
(Cassidy and Hing, 2015; Monroig and Woods,
2015). The decision provides designers with greater
assurance that their distinctive designs are eligible for
unregistered design protection and reduces the
likelihood of an infringer successfully contesting a
design's validity based on the existence of distinct
elements of prior designs (Ladas and Parry, 2014).
This way may compensate the problem about
applying time in design patent, which is a worthy
regulation to be referenced.
In France, which is known as the ‘capital of
fashion’, in order to avoid the uncertainty of the
application of the law, the French copyright law
specifically states that all industrial designs, enjoy the
protection of both industrial property law and
copyright law at the same time, that is, the
implementation of dual protection mode. Like
France, Germany also adopts a dual protection model,
with the subtle difference that Germany only grants
copyright protection to clothing that is highly artistic
and achieves a certain degree of aesthetics (Li and
Ren, 2021). The combination of design patents and
other rights also gives the authority a different and
In E-commerce Era: Cracking Infringement Issues in the Clothing Industry by Design Patents
25
whole new perspective to protect right holders more.
Additionally, only when problems about rights
belonging solved as improving design patents is an
advanced progress and helping rights belonging be
tackled, electronic commercial platforms could be a
useful cooperative part, supervising the infringement
problems with the authority, assisting right holders to
protect their clothes, to be a machine to solve the
dilemma designers face.
6 CONCLUSION
In conclusion, the fashion industry, especially in the
clothing industry which this article discusses, as it has
a massive market and global impact, not to mention
the assistance of electronic commercial platforms
with technology, demands comprehensive legal
frameworks to protect rights holders and their clothes.
The design patents used to be neglected as it is not as
effective as copyrights, however, if its biggest
imperfection could be improved or even solved in the
future, then it would be a significant tool to crack the
difficulties of infringement. Therefore, authorities
and professionals must do more research in design
patents and refer to more effective concepts that have
appeared in other countries or are not offered in the
world yet can be a superior idea to tackle existing
problems. Moreover, as infringement problems in the
clothing industry are an international issue with the
digital platforms upgraded and connections between
countries deepen, as well as the developments of
Chinese companies such as Shein, there must be
international awareness of the need for protecting
intellectual property rights in fashion, creating
international mechanisms that allow for global
protection.
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