Exploring to Summer’s Product Innovation and Market Positioning
Strategy Based on 4P Theory
Rong Bao
a
School of Music, Jiangxi Normal University, 330022, Nanchang, China
Keywords: To Summer, 4P Theory, Product Innovation, Market Positioning, Cultural Branding.
Abstract: With the rise of national trend consumption, local high-end fragrance brand To Summer is rapidly rising based
on ‘oriental aesthetics’, but its marketing strategy is facing challenges such as cultural convergence and single
channel coverage. Based on the classic 4P theory of marketing, this study integrates the authoritative journal
literature in the past five years to systematically analyse the current situation and core defects of To Summer’s
product, price, channel and promotion strategies. The study finds that the current brand development is facing
four core problems: firstly, there is an over-reliance on single cultural symbols and technical shortcomings on
the product side; secondly, the high-end pricing strategy creates consumer barriers and makes it difficult to
break through the boundaries of the existing clientele; thirdly, the sales channel is overly focused on the
operation of online private traffic, and the penetration rate of the offline market is not enough; lastly,
promotional methods show homogeneous characteristics, and cross-border co-operation projects have not yet
formed a cultural circle with market penetration. Cultural circle breakthrough with market penetration. These
problems jointly restrict the brand’s market competitiveness and sustainable development ability. To address
these issues, this paper proposes strategies such as tiered pricing, dynamic cultural narratives and omni-channel
content, and stresses the importance of balancing brand tone and market expansion needs through technology-
enabled products and ethical premiums. The findings of the study not only provide new ideas for the strategic
design of local cultural brands, but also shed light on the innovation of traditional frameworks in luxury
marketing.
1 INTRODUCTION
Under the dual drive of the transformation of
consumer structure and the reconstruction of
traditional cultural values, China’s fragrance market
has shown rapid growth, and a number of emerging
brands with ‘oriental aesthetics’ as their core
competitiveness have emerged, and the fragrance
brand To Summer is a typical representative. The
fragrance brand To Summer is a typical example. It
has successfully created a differentiated brand image
by integrating traditional cultural symbols with
modern design language, but it faces challenges such
as rigid cultural narratives and solidified user circles
in the process of scale expansion. Existing research
lacks systematic analysis on the marketing practice of
local cultural brands, especially in the context of
‘national trend’, how to reconcile cultural uniqueness
and market universality is still a theoretical gap (Wu,
a
https://orcid.org/0009-0001-9026-4135
2024). Taking To Summer as a case study, this paper
systematically explores three core propositions based
on the 4P theoretical framework and the cutting-edge
literature on cultural branding, luxury pricing, and
omni-channel marketing (Gong, 2024). Firstly, it
focuses on the core advantages and potential risks of
To Summer’s current marketing strategy, and through
deconstructing the operation mechanism of its
product design, pricing logic, channel layout and
promotional means, it reveals the dynamic check and
balance relationship between cultural premium and
functional value. Secondly, it demonstrates the
limitations of the 4P theory in the application of
emerging cultural brands, and proposes improvement
paths in combination with the dynamic cultural
capital theory. Finally, the study explores how local
high-end brands can achieve ‘broken circle’ growth
through strategic innovation. The study adopts case
studies and literature cross-validation to expand the
Bao, R.
Exploring to Summer’s Product Innovation and Market Positioning Strategy Based on 4P Theor y.
DOI: 10.5220/0013845300004719
Paper published under CC license (CC BY-NC-ND 4.0)
In Proceedings of the 2nd International Conference on E-commerce and Modern Logistics (ICEML 2025), pages 373-378
ISBN: 978-989-758-775-7
Proceedings Copyright © 2025 by SCITEPRESS Science and Technology Publications, Lda.
373
explanatory dimension of the 4P theory in the field of
cultural consumption at the theoretical level, and to
provide a strategic framework for local brands to
balance the high-end character and market
penetration at the practical level. The study firstly
examines the current status of To Summers 4P
strategy, then analyses the deficiencies of each
dimension, and finally puts forward targeted
suggestions based on the literature to provide
references for similar brands.
2 CASE PRESENTATIONS
2.1 Brand Background
To Summer was born in 2018 at a key point in the
value chain reconstruction of China’s fragrance
industry. At that time, international brands occupied
more than 80% of the high-end market share by virtue
of historical accumulation, and local brands were
mostly trapped in low price competition (Wang,
2022). To Summer established ‘Reconstructor of
Oriental olfactory aesthetics’ as the value proposition,
accurately capturing the psychological demands of
the new generation of consumers in search of their
cultural roots, the Forbidden City Golden Laurel,
Kunlun Snow Mountain and other imagery into the
fragrance products, pioneering the opening of a new
blue ocean of light luxury cultural consumption. Its
explosive ‘Kunlun cooking snow’ to Jingdezhen non-
heritage ceramics as a carrier, fusion of snowy
mountain woody fragrance space narrative, to achieve
the first year revenue of more than 100 million market
breakthroughs, highlighting the effectiveness of the
traditional cultural capital of the commercial
translation. The brand relies on the DTC applet to
build a private traffic pool, which contributes 70% of
sales, and strengthens the image of ‘the guardian of
oriental aesthetics’ through the Beijing Guozijian,
Shanghai Hunan Road and other cultural landmarks.
However, its R&D investment accounts for only 3%,
and its dependence on imported core technologies
still restricts its long-term competitiveness (Peng,
2023).
2.2 Market Orientation
As a paradigm case of value reconstruction in China’s
fragrance industry, To Summer’s market positioning
and audience research shows that the brand builds
differentiated competitive advantages through the
dual path of cultural identity and emotional value.
The study found that the core consumer group
consists of three categories: the new middle class with
a sense of cultural consciousness, whose consumption
behaviour carries the identity needs of oriental
aesthetics; the highly sensitive people who pay
attention to spiritual healing, and who ease the
anxiety of urban life through fragrance consumption;
and the high-net-worth group who pursue artistic life,
whose motivation stems from the preference for
product uniqueness. The brand relies on three
strategies to consolidate its differentiated positioning:
firstly, it uses ‘oriental botanical’ scents (e.g.
osmanthus, mugwort) to construct a cultural symbolic
system; secondly, it transforms the product into an
emotional medium through scenario narratives (brand
magazines, curated shops); and lastly, it uses a limited
edition mechanism and an internationally certified
supply chain to create scarcity and quality trust. By
avoiding functional competition and occupying the
blank space of local cultural consumption, this model
provides both theoretical and practical inspiration for
the transformation of local brands into high-end
brands
2.3 Core Data
As a high-end fragrance brand, To Summer’s core
data demonstrates significant market performance
and precise user positioning. 2021 annual sales
reached 143 million yuan, to 2023 Tmall channel
sales exceeded 100 million yuan, a year-on-year
increase of 49%, with sales of nearly 300,000 pieces
(Haimian Lao Beibi, 2022). In the same year, Double
Eleven among the second in the fragrance category on
Tmall, and with a high re-purchase rate of 60% to
highlight the loyalty of the user (data as of 2023).
User profile shows that the brand's core customer
base is 26-35-year-old middle-class women in first-
tier cities (accounting for more than 80%), focusing
on quality of life and preference for oriental cultural
elements, the offline shop bag rate of 20%-30%, the
main consumer for women over 30 years of age,
while male users mainly follow the logic of the gift
economy to complete the purchase behaviour. The
product focuses on oriental botanical fragrance and
high value design, and the customer unit price is
concentrated in the range of 300-500 yuan, which
accurately targets the users of international big brand
fragrance, and stabilises the high-end market
position. It should be noted that some data may
change with market dynamics, and it is recommended
to verify with the latest financial reports or industry
reports (e.g., 2023 sales data quoted from public
channels).
ICEML 2025 - International Conference on E-commerce and Modern Logistics
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3 MARKETING STRATEGY
ANALYSIS
3.1 Product
To Summer to ‘Oriental fragrance’ as the core,
product design around the traditional Chinese cultural
elements, through the ‘Kunlun boiled snow’ ‘Yihe Jin
Gui’ and other explosive products to achieve annual
sales of more than 100 million, of which ‘Kunlun
boiled snow’ has long accounted for more than 30%
of the brand's sales, and many times due to stock out
on social media platforms hot search. Among them,
‘Kunlun Boiled Snow’ has long occupied more than
30% of the brand's sales, and has been on the hot
search of social platforms for many times due to out-
of-stock. Its product strategy is driven by cultural
symbols, such as the co-branded aromatherapy
‘Dunhuang Cloud Mirror’ series with Dunhuang
Research Institute, sales exceeded 2 million yuan in
the first month of launch, successfully transforming
cultural premiums into commercial value. However,
the brand has not invested enough in technology
research and development (patents focus on design
rather than fragrance innovation), resulting in product
iteration lagging behind competitors - similar brands
such as Bing Xili launched new products every two
months on average, while To Summer’s main series
of ‘Four Seasons Aroma’ has only added one to two
new products since 2020 (Lian Danlu E-commerce
Intelligence, 2023; Weining News, 2021). Since
2020, only 1-2 new fragrance types have been added,
and the homogenisation of cultural symbols (the reuse
rate of elements such as osmanthus and bamboo
reaches 60%) may lead to consumer aesthetic fatigue.
Product functionality problems still exist: some users
feedback fragrance diffusion effect is general, crystal
stone aromatherapy relying on stone diffusion,
practicality is weaker than the traditional liquid
aromatherapy, the functionality of the body is not
fully matched with the positioning of the high price.
To Summer needs to balance the cultural narrative
and technology investment to break through the
current growth bottleneck.
3.2 Price
To Summer’s pricing strategy is a sophisticated
psychological warfare, To Summer adopts luxury
pricing strategy, perfume pricing 598 yuan / 30ml,
aromatherapy candles average price of 400-600 yuan,
significantly higher than similar local brands (such as
RE perfumery 200 yuan average price), close to the
international light luxury brands, through the limited
edition of the sale and exclusive rights and benefits of
the members (eg, customised boxes) to maintain the
scarcity of high-priced. Its pricing logic is based on
the oriental aesthetic narrative and the added value of
the brand story. But its high price strategy leads to
user groups limited to first-tier cities delicate women
(26-35 years old mainly), resulting in insufficient
penetration of second and third-tier cities,
disconnected from the demand of the mid-range
market, the penetration of the sinking market is
difficult; and some consumers believe that the
product premium transition relies on the “Oriental
story” marketing, the cost of spices and the pricing
match is doubtful, the price may be higher than the
price. Pricing to match the degree of doubt, may
trigger some consumers to “premium
reasonableness” of the question. Compared with
super high-end brands such as DOCUMENTS Wen
Xian (RMB 2,250/30ml), To Summer has not been
able to break through the RMB 1,000 threshold, and
its high-end brand image has not yet been fully
established.
3.3 Place
To Summer adopts the DTC (direct-to-consumer)
model, relying on WeChat applets (private domain
operation) and Tmall flagship shops online to create
a sense of scarcity through the "timed rush"; and
laying out high-end experience shops offline
(Guozijian in Beijing and Hunan Road in Shanghai)
to strengthen the spatial immersion line and the
brand's character. However, the number of offline
shops is limited, the shop is limited to North,
Shanghai and Shenzhen, did not cover the new first-
tier and second and third-tier cities, the second and
third-tier cities, consumer reach is insufficient; early
over-reliance on the private domain led to user
growth bottlenecks, Tmall stationed late (2022),
missed the e-commerce dividend period, the channel
coverage is too single. And not stationed in NET-A-
PORTER and other international e-commerce
platforms, globalisation layout lags behind the
brand's cultural output ambitions.
3.4 Promotion
To Summer’s promotional strategy suffers from three
structural deficiencies within the framework of
integrated marketing communication (IMC) and
AIDA models (Analysis of channel synergy strategies
in integrated marketing communication, 2025).
Firstly, the coverage of communication channels is
Exploring to Summer’s Product Innovation and Market Positioning Strategy Based on 4P Theory
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insufficient. The brand overly relied on co-branding
partnerships in the vertical art field (e.g. Pine Art
Museum), and failed to expand mass traffic entrances
such as film, TV and gaming, resulting in weak
consumer awareness outside the target circle, which
is contrary to the principle of “omni-channel synergy"
advocated by the IMC theory. Second, the absence of
behavioural incentive tools. Although the holiday
limited edition (such as the Mid-Autumn Festival gift
box) maintains the high-end tone through scarcity, the
long-term lack of discounts, gifts and membership
incentives (such as the empty bottle recycling
programme) has led to a lack of conversion rate of
new customers, and it is difficult to sustainably
increase the rate of repurchase relying only on
cultural identity. Finally, the innovation of promotion
means lags behind. Relying on the hunger marketing
strategy of “limited rush”, lacking interactive games
such as live limited-time discounts, and comparing
with the “consumption is to get peripheral” mode of
"Dream China Book" co-branded by Xi Tea, To
Summer has failed to reduce the decision-making cost
of consumers through interesting promotions,
resulting in the conversion efficiency of
advertisements after reaching the behaviour of the
customers is affected by the lack of innovation. As a
result, the efficiency of behavioural conversion after
reaching consumers is limited.
4 SUGGESTIONS
4.1 Product
To Summer needs to break through the aroma
homogenisation predicament, accelerate product
iteration and broaden the cultural narrative
dimension, through “open innovation” to build the
user co-creation mechanism, for example, through the
Xiaohongshu, microblogging and other social media
to solicit consumers to regional culture (such as
Jiangnan, Lingnan) fragrance inspiration, the
development of regionally limited series to enhance
the differentiation, to break the single At the same
time, in view of the general effect of fragrance
diffusion and the problem of short fragrance retention
time, Formula optimization may be achieved through
collaboration with specialized spice research
institutes, accompanied by the adoption of
microcapsule slow-release technology to prolong
olfactory persistence (Zhou et al., 2022).
Concurrently, explicit documentation of
technological enhancements should be systematically
integrated into product specifications to validate
functional claims. Or the introduction of intelligent
diffusion technology, reference to the atomisation
diffusion system of the Inhalio Digital Fragrance 3.0
platform, the development of intelligent
aromatherapy machines that support mobile phone
APP control, to improve the diffusion efficiency and
scene adaptability. This kind of technological
upgrade can not only solve the practical pain points
of user feedback, but also consolidate the high-priced
positioning through the composite narrative of
“technology + culture”.
4.2 Price
To address the disconnect between the pricing system
and the needs of the sinking market, To Summer can
adopt a “pyramid-type price stratification” strategy:
retain the existing high-end product line to maintain
the brand's tone, while launching miniaturised, low-
cost entry models (such as mini aromatherapy candles
and travel-size perfume) to meet the needs of
customers to taste and strengthen the cost-
effectiveness of the perceived value for money. You
can also launch the To Summer sub-brand, pricing
down to 200-300 yuan range, using simplified
packaging and small volume specifications to reduce
the threshold. Specific reference can be made to the
strategy of Hermes to launch the “Petit h” sub-line,
covering different consumption levels through
product line extension (Chen, 2021).
4.3 Place
In order to optimise To Summer’s channel strategy, it
is recommended to build a ‘omni-channel matrix’ to
break through the growth bottleneck: offline should
accelerate the layout of experience shops in new first-
tier cities, and the offline channel can explore the
mode ofurban flash mob + cultural space
cooperation’, and short-term stationing in the scenes
of art galleries, bookstores and other scenarios in
second- and third-tier cities, so as to test the market
potential at a low cost. Online need to reduce the
dependence on a single platform, can be stationed in
NET-A-PORTER and other international e-
commerce platforms, the layout of Jieyin e-commerce
and get things and other emerging channels, the use
of short-video content intuitively conveying the
fragrance scene experience (such as the ‘sleepy
aromatherapy’ demonstration of the use of the ‘sleepy
aromatherapy’). At the same time, the operation of
private traffic was optimised, combined with the
implementation of personalised fragrance
recommendation services via WeChat to enhance
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repurchase rates. This strategy corresponds with the
prevailing market trend characterised by the
integration of online and offline consumer
engagement channels.
4.4 Promotion
In order to break through the monotony of the existing
promotional strategy, To Summer needs to design a
tiered promotional programme. For repeat buyers, the
company can offer ‘empty bottle recycling coupons’
or exclusive gifts on members day, such as
customised fragrance cards, to avoid direct price
reductions (News Kuaibao, 2024). In addition, To
Summer in cross-border cooperation should break
through the limitations of the existing art co-
branding, expanding the co-branding field to film and
television and fashion industry. For example, it can
cooperate with film and television IP to develop
thematic fragrance, such as ‘Flower’ and ‘Flower’
cooperation to launch ‘1990s Shanghai Memory
Limited Series’, drawing on the scene-based
marketing model of Xi-tea and ‘Dreams of Records’.
To Summer can also cross-border into the field of e-
sports, for the ‘original God’ character design
exclusive fragrance, and through the game props
redemption code to achieve traffic conversion;
Finally, To Summer should layout emotional healing
track , for example, cooperation with Keep to launch
the ‘meditation exclusive aromatherapy set’, and
implanted in the sports course scene. In terms of
promotional activities, ‘scent customisation service’
can be added, users can upload poems or paintings to
generate AI scent programme, this form of interaction
not only strengthens the cultural attributes of the
product, but also meets the pursuit of personalisation
of the Z generation.
5 CONCLUSIONS
Based on the 4P theoretical framework, this study
systematically analyses the current status and core
flaws of To Summer’s current marketing strategy,
and reveals the common problems faced by local
cultural brands in the process of premiumisation. The
study finds that in the marketing practice of cultural
brands, the application of 4P theory needs to break
through the traditional static framework. Specifically,
pricing strategies should balance the relationship
between cultural premium and market penetration;
and promotional strategies need to incorporate the
user co-creation model in order to better adapt to the
needs of Generation Z. The study finds that the 4Ps
theory should be applied in the marketing practice of
local cultural brands. The essence of the dilemma
faced by To Summer lies in the insufficient ability to
dynamically transform cultural capital, and the over-
reliance on a single cultural symbol can be effectively
broken through technological empowerment and
layered narrative strategy. This study suggests
optimising the 4P strategy through the combination of
“Pyramid Pricing + Intelligent Products + Omni-
Channel + IP Co-branding”, thus verifying the value
of the dynamic cultural capital theory in modifying
the traditional marketing framework. The results of
this study confirm that local brands need to establish
a dynamic balance mechanism between cultural
uniqueness and functional universality, and realise
the value leap through the synergistic evolution of
“symbolic precipitation - technological innovation -
channel adaptation”.
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