using tailored marketing to reach ethnic customer
groups (Cui & Choudhury, 2002). The number of
people watching music videos has significantly
increased as a result of these designs. According to
research, cultural grafting triggers sympathetic
reactions in the TPJ. Social cognition is influenced by
both TPJ activation and network engagement
(Igelström et al., 2017).
5 CONCLUSION
This study uses neuroeconomics experiments, big
data analysis, and case comparison to methodically
examine the process of K-pop's reconstruction of
consumer psychology based on scarcity tactics,
random reward, and culture hybridization strategies.
By engaging the prefrontal cortex (DLPFC), a phased
scarcity approach, like BLACKPINK's three-phase
release, for instance, produces an anxiety premium
and raises the repurchase rate. The repurchase rate is
similarly increased by random small-card strategies
like Girls' Generation, which use the dopamine cycle
in the nucleus accumbens (NAc). Additionally, the
increased percentage of English lyrics in BTS causes
an empathic response in the temporo-parietal junction
(TPJ) of the European and American markets, which
increases their cultural identity. In order to uncover
the neurological coding principles governing
consumer behavior in the entertainment sector, this
study combines neuroeconomics with cultural studies.
While small and medium-sized businesses must
concentrate on vertical industries, like Southeast
Asian dialect music, headline groups might lessen
cultural tensions by using regional teaming methods,
like NCT. In order to strike a balance between social
responsibility and commercial efficiency,
transparency measures like the release of pop rates
should be put in place. NFT technology and the meta-
universe can prolong the consumer life cycle.
However, the findings of this study are limited in their
generalizability because it mostly focuses on the
cases of well-known groups like BTS and
BLACKPINK, and it does not yet sufficiently
incorporate the localization tactics of small and
medium-sized agencies like STAYC and ATEEZ.
Non-Latin-speaking areas, such as the Arab world,
are not included in this study, and more research is
required to confirm regional variations in cultural
reactions. The chaebol capital structure and other
government policies that promote the Korean
entertainment sector, such the cultural national plan,
may also increase the strategy's efficacy, which is
hard to duplicate in other areas. In the future, this
study can compare the mixing techniques of J-Pop
and C-Pop and further analyze cultural mixing
mechanisms in rising areas like the Middle East and
Africa. This will help to improve the common
patterns of the pan-Asian entertainment sector.
Additionally, evaluating how cultural blending
affects local cultural identity over the long run, for
example, how Korean teens' interest in traditional
music has changed, is a worthwhile line of inquiry.
In essence, K-pop uses a complex fusion of "neural
programming" and "cultural computation" to
reconstruct the consumer's psychology. Although the
combinatorial benefits of dopamine stimulation,
anxiety production, and empathic response are
necessary for its success, over-commercialization
may result in psychological exhaustion and societal
hollowing out. To provide an example for the
sustainable export of cultural goods from around the
world, it will be vital to strike a balance in the future
between ethical responsibility and technological
innovation.
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