Herding Behavior-Driven Comedy Film Rating Convergence: A Study of
the Moderating Effects of Emotional Intensity
Yuyang Wang
Beijing Jiaotong University, No.3, Shangyuan Village, Haidian District, Beijing, China
Keywords: Movie Ratings, Herding Behavior, Sentiment Analysis.
Abstract: The study examines the herding effect in comedy films, particularly how user ratings and comments influence
rating behavior. Using data from the Douban movie platform, sentiment and time-series analyses were
employed to assess rating convergence and the amplification effect of emotional intensity. Key findings
include: low-scored films experience large initial score variance fluctuations that stabilize over time, with
emotional factors initially worsening fluctuations but promoting long-term consistency; medium-rated films'
emotional resonance varies by subject, significantly affecting convergence speed; and high-scored films show
obvious rating convergence, less influenced by emotional intensity. Audience rating behavior is impacted by
time, film quality, emotional intensity, and social interaction. The study offers a new angle for the film
industry's marketing strategies, advising rating platforms to enhance sentiment analysis algorithms for more
accurate emotional tendency capture and improved scoring system reliability.
1 INTRODUCTION
With the widespread adoption of the Internet and
social media, user-generated content (UGC) has
emerged as a crucial medium for individuals to
express their opinions. Among various forms of UGC,
online reviews are particularly prevalent across
industries such as film, dining, and e-commerce
(Chevalier and Mayzlin, 2006). For the film industry,
as a kind of online word-of-mouth, users' online
comments not only affect other audiences' movie-
watching choices, but also may have a profound
impact on film box office and long-term word-of-
mouth (Samrat et al., 2024). Especially on platforms
such as Douban, user ratings and comments have
become important criteria to measure the quality of
movies.
However, user rating behavior can be significantly
influenced by pre-existing average ratings, leading to
convergence phenomena, wherein users tend to align
their ratings more closely with the existing consensus.
The behavioral tendency, termed the herding effect,
reflects how individuals adjust their evaluations in
response to the prevailing ratings. Furthermore, the
sentiment embedded in prior reviews can trigger
emotional resonance among users, thereby
influencing their own rating and evaluation behavior
(Qu et al., 2024). The emotional contagion effect may
further exacerbate the herding effect in online rating
environments. Additionally, different types of movies
have different types of audiences (Urszula, 2019),
which may also lead to different degrees of herding
effect among the audience. For example, the degree
of herding effect of comedy movies may be more
dependent on the emotional tendency of users because
of its relaxed and pleasant characteristics. The
questions are of great significance for understanding
the psychological mechanism behind user evaluation
behavior and the optimization of marketing strategies
in the film industry.
2 LITERATURE REVIEW
The herding effect refers to the tendency of
individuals to conform to group behaviors under
social influence, often disregarding their independent
judgment. The phenomenon has been extensively
studied across disciplines such as social psychology,
economics, and behavioral finance. In social
psychology, herding is closely related to conformity,
where individuals adopt group behaviors to gain
social acceptance or avoid exclusion, even when
those behaviors contradict personal opinions (Bond
Wang, Y.
Herding Behavior-Driven Comedy Film Rating Convergence: A Study of the Moderating Effects of Emotional Intensity.
DOI: 10.5220/0013841700004719
Paper published under CC license (CC BY-NC-ND 4.0)
In Proceedings of the 2nd International Conference on E-commerce and Modern Logistics (ICEML 2025), pages 207-213
ISBN: 978-989-758-775-7
Proceedings Copyright © 2025 by SCITEPRESS Science and Technology Publications, Lda.
207
and Smith, 1996). Salganik et al. (2006), through their
music download experiment, revealed how social
influences and herding can lead to inequality and
unpredictability in cultural products. The study found
that when participants were presented with
information about the choices of others, their choice
behavior was significantly affected, resulting in the
popularity of certain cultural products far higher than
others. The phenomenon is also relatively common in
movie rating, and users' rating behavior may be
guided by the existing average rating, and then show
the phenomenon of convergence. Hao et al. (2019),
taking the film industry as an entry point, studied the
decision-making behaviors of consumers under the
influence of social media and found that the herd
effect of consumers still exists in the film field. Lee
et al. (2015) compared the effects of strangers and
friends on user-generated movie reviews and found
that users would be influenced by the mainstream
ratings of previous movies, and would follow the
mainstream or deliberately express different opinions
instead of their own opinions.
Sentiment analysis is the automatic identification
and extraction of emotional tendencies in text through
computational methods. Common methods include
dictionary-based methods and machine learning
methods. Pang and Lee (2008) conducted a
systematic review of opinion mining and sentiment
classification, highlighting that dictionary-based
methods demonstrate superior accuracy in domains
such as film criticism. Taboada et al. (2011) further
explored the efficacy of various sentiment
dictionaries, emphasizing optimization strategies to
enhance classification precision.
Furthermore, audience evaluation behaviors differ
across movie genres. Urszula (2019) noted that genre-
specific factors influence rating patterns. Hao Yuan et
al. (2020) believe that audience's evaluation of
comedy movies is often influenced by factors such as
plot, actor performance and visual effects, so the
rating of comedy movies is more dependent on users'
emotional tendency (Zhang et al., 2021).
To sum up, existing studies have revealed the
widespread existence of herding effect in fields
including movie ratings. However, for the specific
genre of comedy movies, the herding mechanism of
user ratings still needs further research. In particular,
existing research has focused less on how the intensity
of reviews affects the herding effect of ratings, and
whether the effect differs across films of different
ratings levels. Through empirical analysis, the study
will explore the role of user rating and comment
emotion in the herd effect of comedy movies, and
provide a new perspective for the research in the field.
3 RESEARCH PROBLEM
The aim of the study is to investigate the influence of
user ratings and review sentiment on herding effects
in comedy films. Specifically, the research will
address the following key questions:
1. In comedy movies, is there a convergence of
user ratings, that is, does the degree of
deviation from the average rating decrease
with the change of the average rating?
2. Does the emotional intensity of reviews
amplify the herding effect of ratings?
3. Does the herding effect differ among films
with different ratings?
4 DATA PROCESSING
4.1 Data Source
The dataset utilized in the study was sourced from the
Douban Movie Platform, with data collection
conducted via the Octopus web crawler platform. The
raw dataset included various attributes such as movie
titles, user ratings, short review texts, and release
dates. To ensure data representativeness and validity,
the study adopted a series of rigorous selection and
processing measures. First of all, as one of the largest
film communities in China, Douban Film platform
has a huge user base and rich movie data, and its
ratings and reviews have high representativeness and
reference value. Users participate in evaluation and
scoring spontaneously on the Douban platform, and
the data can better restore the average views of the
general public (Liu, 2018). In addition, Douban's film
ratings and reviews are often cited and referenced by
media reports and even professional film reviews,
further demonstrating the authority and reliability of
its data. (Shi, 2024)
Secondly, the Octopus web crawler platform was
employed due to its user-friendly, code-free operation
and robust data extraction capabilities. It offers built-
in templates, extensive network data capture support,
and advanced deduplication and filtering functions,
ensuring the quality and uniqueness of the extracted
data while minimizing redundancy. The features
enhance the efficiency and accuracy of data
acquisition, thereby strengthening data reliability.In
the process of data collection, in order to control the
consistency of film types, the study focuses on
comedy films (Douban film label includes comedy),
and randomly selects films released in recent years as
ICEML 2025 - International Conference on E-commerce and Modern Logistics
208
research objects. According to the overall film score
of the platform, movies are divided into low grades
with less than 6 points, medium grades with 6-9 points
and high grades with more than 9 points. The low and
middle grades selected five films each, while the high
grades selected all three films due to the relatively
small number of films. 400 reviews and ratings were
extracted for each film according to its popularity,
which ensured that each sample film had enough data
for analysis, and covered reviews of different
popularity to improve the comprehensiveness and
representation of the data. In the data preprocessing
stage, blank comments and unrated invalid comments
were cleared, and 4982 valid comments and their
scores were obtained. Through such data screening
and cleaning, the quality and effectiveness of the data
are further guaranteed, and a reliable data basis is
provided for subsequent research and analysis.
4.2 Data Measurement
In the present study, emotion dictionaries are utilized
to determine the emotional intensity of reviews. As
the general Chinese emotion dictionaries are not
capable of explaining movie reviews, emotion
dictionaries suitable for movie reviews are used in the
emotion analysis (Wang, et al., 2022), which not only
merged and cleaned the well-known Hownet
dictionaries and NTUSD dictionaries. A dedicated
sentiment dictionary has also been constructed
specifically for the field of film, which is able to more
accurately capture the emotional tendencies in film
reviews. Compared to the improved Hownet
dictionary and NTUSD dictionary, the dictionary is
8.1% and 10% more accurate at capturing emotions,
respectively. In the dictionary, the weight of positive
emotion words is set to 1, and the weight of negative
emotion words is -1. At the same time, the dictionary
of degree adverbs is used to match degree adverbs in
reviews and assign corresponding weights according
to their impact on emotional intensity. In the
calculation of emotion value, the weight of emotion
words, degree adverbs and negative words is
comprehensively considered, according to the Wang
2023’s formula:
Affective value
=
(
positive affective word weight
− negative affective word weight
)
× degree adverb weight)
(1)
Effectively quantifies the emotional tendency and
intensity of the comments.
In addition, to facilitate the calculation of the
emotion-weighted score, the max-minimum
normalization is used to map the emotive value to the
interval [0,1] to eliminate the impact of dimension:
x
=
X−x

x

−x

(
2
)
Then, by multiplying the mapped star rating and
the normalized emotion intensity, a composite index
"emotion weighted score" is generated to reflect both
the objective value of the user's rating and the
subjective intensity of the emotion tendency, so as to
analyze whether the emotion of the comments can
promote the herd effect (Yao et al.,2017). For
example, a review with a five-star rating 5 combined
with strong positive emotion 2.0 has a weighted score
of 9.
In time series analysis, the dynamic average score
of a movie is an important index to measure the trend
of movie rating over time. However, the movie
history score data of Douban film platform is not
open. In order to analyse the trend of the score over
time, all data is calculated in "days". The cumulative
average of all star ratings and emotion-weighted
ratings from the date of the film's earliest appearance
(i.e. the film's release date) is calculated separately
from the date of release to the date of release, which
can simulate the dynamic change of movie ratings
over time during the film's release.
According to the cumulative average score sum of
each day, the variance of the corresponding day can
be calculated, which can reflect the convergence
degree of the audience for the movie score and the
change of the convergence degree after emotional
weighting.
However, the time series fluctuation caused by the
number of film reviews with heat attenuation leads to
sharp fluctuations in the variance in the later period.
The study proposes an improved smoothing strategy
based on linear weighted moving average (WMA)
(Box et al.,2015). By introducing the standardized
index mechanism of review participation, the model
can keep the sensitivity of recent data while
effectively reducing the variance oscillation caused
by the decrease of the number of comments in the
later period.
Specifically, first build a standardized metric
based on comment engagement:
Herding Behavior-Driven Comedy Film Rating Convergence: A Study of the Moderating Effects of Emotional Intensity
209
𝑁𝑜𝑟𝑚𝐶𝑜𝑚
=
𝐶
max
∈
(
𝐶
)
(
3
)
Among them:
𝐶
represents the number of comments in the i th
time unit (day)
Ω is the collection of time units covered by the
sliding window
The numerator and denominator standardization
constrained the index range to [0,1], reflecting the
relative intensity of comment activity on that day
A standardized metric of comment engagement is
then used as a standardized weight calculation:
Smoothing rating/
emotion weighted rating variance =
 ×
)

(
)

(4)
In the study, W=5 is selected as the window size
The smoothed score/emotional-weighted score
variance is obtained, which ultimately reduces the
violent vibration caused by late fluctuations, and can
better capture the stability of scoring trends and
changes in emotional consensus.
5 REGRESSION ANALYSIS
To examine the temporal variation in rating
dispersion and emotional intensity, an exponential
regression model is employed to analyze herding
effects in rating convergence and the amplification
effect of sentiment-driven herding. Regression model
𝑦
(
𝑡
)
=𝑎𝑒

+𝑐 takes time t as the independent
variable and score variance or emotion weighted
score variance as the dependent variable, where:
1. a is the magnitude of the initial variance,
2. b represents the rate of decay,
3. c represents the level of variance that is
stable over time.
The regression coefficient a represents the initial
variance of the movie score. The sign and magnitude
of regression coefficient b reflect the direction and
rate of volatility change. If the regression coefficient
is greater than zero, it indicates that the variance has
a decreasing trend over time, that is, the degree of
dispersion of scores or emotions has decreased, which
can be regarded as the embodiment of herding effect.
Furthermore, by comparing the regression
coefficients of smoothing score variance and affective
weighted score variance, we can further judge
whether affective factors aggravate the convergence
phenomenon. Among them, when processing the
regression coefficient of emotion weighted score
variance, the previous emotion weighted score was
calculated by multiplying star rating and normalized
emotion intensity, which may lead to compression of
regression coefficient. Therefore, before processing
emotion weighted score variance, divide each sample
point by the normalized average emotion intensity of
the movie. The effect of the compression of
regression coefficient caused by multiplication on the
measurement of herding effect should be minimized.
Next, the regression results will be analysed
horizontally from three aspects: low score, middle
score and high grade.
5.1 Low-Grade Films
Table 5.1: Regression results of low-grade films.
Movie Title
Rating Variance
Regression
Emotional
Rating Variance
Regression
Life on the
Road
y=1.1807e^(-
0.3603x) +2.2916,
R²=0.7189
y=2.5716e^(-
0.2421x)
+1.8081,
R²=0.7935
Ex-lover 4:
Early Marriage
y=0.2832e^(-
0.0144x) +2.4910,
R²=0.7910
y=0.7366e^(-
0.0149x)
+2.3812,
R²=0.7440
Detective
Chinatown 3
y=0.0609e^(0.0698
x) +1.9713,
R²=0.7156
y=-
0.1444e^(3.1805x
) +1.8864,
R²=0.6962
The
Extraordinary
Journey of the
Mozart from
Outer Space
y=0.6940e^(-
0.5473x) +1.8281,
R²=0.9192
y=0.5514e^(-
0.3082x)
+1.6098,
R²=0.7748
Super Family
y=0.0519e^(2.9342
x) +1.6344,
R²=0.0246
y=0.0686e^(0.00
58x) +1.3023,
R²=0.1855
ICEML 2025 - International Conference on E-commerce and Modern Logistics
210
The regression results of low-grade films show that
their score variance has the characteristics of high
initial fluctuation and rapid decay. Taking Life on the
Road as an example, the initial value of the score
variance a+c=1.1807+2.2916=3.4723, and the decay
rate b=0.3603, indicating that controversial content
such as plot logic holes caused sharp differences in
audience evaluation in the early stage. However, with
the passage of time, the score rapidly converges to the
stable value. The phenomenon may be due to the
"dispute-driven discussion" mechanism of low-
scoring films: Extremely bad reviews attract more
viewers to participate in the review, but as the
discussion progresses, some viewers re-examine the
work, resulting in a rapid decline in the variance. For
example, the initial value of The Extraordinary
Journey of the Mozart from Outer Space is 2.5221,
and the decay rate b=0.5473, which further verifies
the dynamic pattern of "high opening and low
walking" in low-score films.
However, the low-grade films' decay rate of
affective score variance is generally lower than that of
ordinary score. For example, the decay rate of the
emotion score of Life on the Road is lower than that
of the ordinary score, and the asymptotic value c is
lower. The suggests that although affective weighting
failed to accelerate convergence, it stabilized the
score at a more concentrated range by filtering out
extreme emotional noise. The result is consistent with
the theory of emotion regulation in psychology.
Sentiment analysis indirectly inhibits the long-term
proliferation of controversial comments by
identifying negative emotional intensity.
5.2 Mid-Grade Films
Table 2: Regression results of mid-grade films.
Movie Title
Rating Variance
Regression
Emotional
Rating Variance
Regression
Grabbing
the Doll
y=0.1709e^(0.094
4x) +2.9905,
R²=0.5988
y=1.3646e^(0.131
6x) +2.6414,
R²=0.8213
Manjiangho
ng
y=0.8444e^(-
0.0745x) +2.9220,
R²=0.8374
y=1.3284e^(-
0.2077x) +2.5380,
R²=0.9558
Hot and
Spicy
y=0.5118e^(-
0.0520x) +3.2106,
R²=0.9364
y=0.9267e^(-
0.0446x) +3.3420,
R²=0.9285
Article 20
y=0.2223e^(0.402
1x) +3.3506,
R²=0.7082
y=0.6803e^(0.182
2x) +3.0684,
R²=0.6676
Flying High
2
y=0.2471e^(0.236
2x) +3.4188,
R²=0.3440
y=1.8370e^(0.200
9x) +2.9015,
R²=0.9400
The rating variance of mid-grade films shows
significant decay rate differentiation. Taking "Hot and
Hot" as an example, the decay rate of ordinary score
variance b=0.0520, asymptotic value c=3.2106, while
the decay rate of emotional score variance b=0.0446,
asymptotic value c=3.3420, and R
2
increased from
0.6864 to 0.9285. The indicates that although the
emotional intensity does not accelerate the decline, by
directing the audience to focus on the core theme of
female growth, the impact of minor disputes on the
rating is reduced, and the explanatory power of the
model is significantly improved.
In contrast, in Article 20, the decay rate of
ordinary score variance b=0.4021, asymptotic value
c=3.3506, decay rate of affective score variance
b=0.1822, asymptotic value c=3.0684, and R
2
decreased from 0.7082 to 0.6676. The shows that
sentiment analysis fails to reconcile the group
antagonism caused by legal disputes, reflecting the
failure of the simplified assumption of the exponential
model for complex social issues.
It is worth noting that the variance decay rate of
emotion score b=0.2077 is significantly faster than
that of ordinary score (b=0.0745), the asymptotic
value c drops from 2.9220 to 2.5380, and R
2
jumps
from 0.8374 to 0.9558. The result may be due to the
audience's collective memory resonance of historical
themes: emotion weighting accelerates the
convergence of opinions by capturing positive
emotions such as "family feelings" and "heroism".
The phenomenon is called emotional mobilization
effect in communication studies, that is, specific
emotional labels can strengthen group identification
and suppress differences (Cui Junli et al, 2024).
5.3 High-Grade Films
Table 3: Regression results of high-grade films
Movie
Title
Rating Variance
Regression
Emotional Rating
Variance
Regression
Herding Behavior-Driven Comedy Film Rating Convergence: A Study of the Moderating Effects of Emotional Intensity
211
Coco
y=1.2127e^(-
0.0452x) +1.5340,
R²=0.8901
y=0.7074e^(0.4166
x) +1.3301,
R²=0.0436
Dying
to
Survive
y=0.5601e^(0.1576
x) +1.6231,
R²=0.7002
y=2.0864e^(0.2195
x) +1.5855,
R²=0.5470
Zootopi
a
y=1.0759e^(-
0.0727x) +1.7293,
R²=0.7554
y=1.6746e^(-
0.0480x) +1.3786,
R²=0.5968
The score variance of high grade films is
characterized by low initial fluctuation and slow
decay. Taking Zootopia as an example, the initial
value of common score variance is 2.8052, decay rate
b=0.0727, asymptotic value c=1.7293, R
2
=0.7554;
The initial value of emotion score variance
a+c=1.6746+1.3786= 3.0532, decay rate b=0.0480,
asymptotic value c=1.3786, R
2
=0.5968. The indicates
that the audience's initial evaluation of the classic
works is highly converging, and the emotional
intensity fails to significantly change its dynamics.
The quantization bias of affective weight reduces the
explanatory power of the model.
However, the variance regression of emotion score in
Coco is not significant at all, which may be due to its
artistic expression of the theme of "life and death
cycle", which exceeds the quantitative range of
traditional emotion dictionaries, leading to the failure
of the model. In addition, the initial variance value of
emotion score 3.6719 of Failing to Survive is
significantly higher than the initial value of common
score 2.1832, reflecting the infiltration of external
discussion of social issues into the score, forming a
hypercinematic evaluation dynamic (Lin Hongtong,
2020).
6 CONCLUSION
The study employs an exponential regression model
to uncover the intricate mechanisms governing the
dynamic rating behavior of comedy films on Douban.
The findings indicate that audience rating
convergence is influenced not only by the passage of
time but also by factors such as film quality
classification, emotional intensity of reviews, and the
depth of audience engagement. In the case of low-
rated films, the presence of controversial content
often results in pronounced fluctuations in initial
ratings. While sentiment analysis helps mitigate the
short-term impact of extreme reviews, it remains
insufficient in reversing the non-linear trend of word-
of-mouth decline over time. Although emotional
resonance can accelerate rating convergence for
certain films, it fails to alleviate group polarization
caused by controversial themes or social issues.
Conversely, for high-rated films, the initial
evaluations tend to be highly consistent, leading to
greater rating stability. However, the quantitative bias
introduced by sentiment-weighted scores limits the
explanatory power of deep emotional interactions in
the cases. The innovative contribution of the study is
as follows: First, it focuses on the specific type of
comedy film, and deeply discusses the herding
mechanism of user rating, which fills the gap of
existing research in the field; Second, it not only
focuses on the convergence of user ratings, but also
comprehensively considers the impact of the
emotional strength of reviews on the herd effect, as
well as the differences of the effect in films with
different ratings, providing a more detailed and
comprehensive perspective for the marketing strategy
of the film industry.
Despite the contributions, the study has several
limitations. First, sentiment analysis algorithms still
have room for improvement. Due to the implicit
nature and ambiguity of Chinese language
expressions, reliance on static sentiment dictionaries
alone may fail to fully capture context-dependent and
implicit emotions in reviews. Future research could
enhance accuracy by incorporating irony detection
and contextual semantic analysis techniques. Second,
as the dataset is sourced exclusively from Douban,
audience feedback from other social media platforms
is not considered, which may limit the
generalizability of the findings. Future studies could
validate and extend the conclusions by integrating
data from multiple online platforms. Based on the
findings and deficiencies, the following coping
strategies are suggested for movie scoring platforms
and producers: Movie scoring platforms should
continue to optimize sentiment analysis algorithms
and introduce irony detection and contextual semantic
analysis technologies to more accurately capture
users' emotional tendencies. For example, natural
language processing technology is used to analyse
comments deeply and identify complex emotional
expressions such as irony and metaphor, so as to
improve the accuracy and reliability of emotion
analysis. At the same time, the platform needs to build
a real-time scoring monitoring mechanism to
dynamically monitor movies of different scoring
grades and timely warn of abnormal fluctuations.
Through data analysis and machine learning
ICEML 2025 - International Conference on E-commerce and Modern Logistics
212
algorithms, the system can automatically identify
abnormal patterns in scores to provide decision
support for platform managers.
Producers need to develop differentiated
strategies for different grades based on film ratings
and critical data. Low-grade films should respond
quickly to the controversial evaluation and adjust the
marketing strategy or film content in time to recover
the reputation; Mid-range films can strengthen
emotional labels, guide audiences to form a
consensus, and improve the stability of word-of-
mouth; High grade films should make use of in-depth
reviews and fan activities to maintain and consolidate
their good reputation. In addition, producers can work
with scoring platforms to obtain sentiment analysis
data from audience reviews to gain insight into
audience emotional needs and preferences, so that
targeted optimization can be made during film
production. For example, according to the analysis of
the audience's emotional tendency towards a comedy
film, the plot setting, actor performance and visual
effects of the film are adjusted to better meet the
audience's expectations. By implementing the
strategies, film rating platforms and producers can
better navigate the challenges posed by the herding
effect, enhance the reliability of film rating systems,
refine industry marketing strategies, and ultimately
deliver higher-quality content and services to
audiences.
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