
 
 
Figure 1: Yogyakarta batik museum. 
 
Figure  1  shows  the  front  view  of  Yogyakarta 
Batik Museum. Even though there are renovations for 
the  building,  yet  there  is  no  significant  changes 
besides the color of  the building is repainted every 
two year. 
Since  it  was  established,  Yogyakarta  Batik 
Museum  have  vision  and  mission  to  preserve  the 
technique  and  other  knowledge  about  batik,  also 
documented batik motives. The museum is open for 
public as a place to provide services and consultation 
toward society pertaining to batik. The museum also 
opened for any partnership as long as it is aimed to 
preserve  batik.  By  the  UNESCO  decision  on  the 
enactment of batik as world cultural heritage in 2001 
and the appointment  of  Yogyakarta  as the  City  of 
Batik by WCC in 2014, Yogyakarta Batik Museum 
fully  support efforts to  preserve the authentic batik 
arts. 
It is very easy to reach the museum. Yogyakarta 
Batik Museum is located in the middle of settlements 
along the  DrSutomo Street, Danurejan, Yogyakarta 
City.  It  takes  only  5  minutes  from  Lempuyangan 
Station by motorcycle. The atmosphere along the way 
is very interesting, since there are plenty of places to 
eat  and rest, start  from restaurants  and  hotels  with 
cheap prices. However, the means and infrastructure 
is  still  not  enough  to  support  the  development  of 
tourism destination at this museum. The old building 
of  museum  makes  it  seems  not  interesting  to  be 
visited. 
We need to encourage community’s awareness for 
the development of Yogyakarta Batik Museum. They 
suppose to aware, responsible, and actively involve to 
the efforts regarding to achieve the goal of tourism 
development by mobilizing attitudes and behavior as 
the host through the value of patriotism and concern 
on their ancestors’ cultural heritage. Indeed, it needs 
partnership between museum management, Office of 
Culture  and  Tourism,  and  community  around  the 
museum so that tourists will feel  more comfortable 
and it can also increase the number of tourists, efforts 
in  museum’s development will be effective  if  it can 
be done collectively. 
From  the  physical  aspects,  Yogyakarta  Batik 
Museum  categorized  as  non-natural  resources 
destination  with  cultural  potential  which  is  batik. 
According to Law No 10/2009, tourism attraction is 
“anything that posses uniqueness, beauty, and value 
in the form of natural diversity, culture, and the result 
of  man-made  with  the  objective  to  be  visited  by 
tourists.”  Tourism  attraction  is  something  that  has 
appeal to seen and enjoyed that have feasibility for 
market interest. 
The legislation also stipulates that at least there 
are four elements of tourism product or destination: 
attraction,  accessibility,  amenities,  and  ancillary  or 
commonly known as 4A Tourism. Development of 
tourism destinations at  the level of  the land site  at 
least take into account to those four key points. 
The problem faced by Yogyakarta Batik Museum 
is a classic problem that actually also faced by most 
of museums in Indonesia. Private museum tend to be 
passive  in  regards  to  its  development  since  they 
cannot utilize government’s budget which is limited 
to the responsibility  of maintenance and storage of 
cultural and nation’s identity collections.  Therefore, 
there  is  impression  from  visitors  that  the  museum 
looks  boring  and  it  also  answer  the  question  why 
museum always seemed empty. 
Yogyakarta  Batik Museum  has documented the 
history  of  batik  which  is  the  original  culture  of 
Indonesia. As the one and only museum of batik in 
Indonesia,  it  can  be  very  potential.  However,  the 
appeal  has not been  managed optimally  as a result 
people  are  not  attracted  to  visit  the  museum.  The 
strategic  role  of  Yogyakarta  Batik  Museum  as  a 
cultural tourism destination should be realized by the 
government,  museum’s  managers,  and  citizen.  To 
uphold the role of Yogyakarta Batik Museum as the 
cultural destination, there are some efforts to develop 
strategic plans that can uphold the sustainability of 
tourism in Yogyakarta itself. 
According  to  aforementioned  problems,  this 
paper tries to explore formulation of ideas or concepts 
in  the  development  of  cultural  tourist  destinations 
based  on  Yogyakarta  Batik  Museum,  studied  with 
SWOT  (strengths,  weaknesses,  opportunities,  and 
threats) analysis. 
2  RESEARCH METHODS 
The  type  of  research  used  in  this  research  is 
descriptive qualitative with SWOT analysis chosen to 
collect the data and discuss the concept of Yogyakarta 
The Development of a Cultural Tourism in Batik Museum of Yogyakarta by a SWOT Analysis
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