
 
However, a global management and distribution of 
digitized cultural (and scientific) data, which is 
characterized by a number of restrictions (as 
mentioned above), makes the brokerage task more 
complex than what is usually observed in brokerage 
systems. It is essential, therefore, specifying such a 
(software) brokerage system, based on a sound 
consideration of the original business system, to be 
supported by it. This leads to a more general actual 
research problem, namely the alignment between 
business process modelling and software 
specification. 
The SDBC (SDBC stands for S
oftware Derived 
from B
usiness Components) approach has been 
introduced (Shishkov & Dietz, 2004-1; Shishkov & 
Dietz, 2004-2) and considered also in another paper 
from the current Proceedings, as an approach being 
capable of adequately addressing the business-
software alignment by considering ‘logical’ 
components that represent the logical building 
blocks of a software system. In particular, the 
approach allows for deriving pure business process 
models (called business coMponents) and reflecting 
them in conceptual (UML-driven) software 
specification models (called software coMponents). 
In the business coMponent identification, SDBC 
follows a multi-aspect business perspective, 
guaranteeing completeness. In the business 
coMponent – software coMponent mapping, SDBC 
follows rigorous rules, guaranteeing adequate 
alignment. Being UML-driven, SDBC is in tune 
with the current software design standards. 
The aim of this paper is to add further evidence 
in support of the claim that the (SDBC) approach 
could be useful with regard to the cultural-heritage 
sector. The paper uses and further considers the 
example presented in (Shishkov, 2004). 
The paper’s outline is as follows: Section 2 
considers relevant cultural-heritage information. 
Section 3 illustrates the application of SDBC, using 
a small example. Section 4 contains the conclusions.  
2  THE CULTURAL HERITAGE 
SECTOR 
Among the institutions (in most countries) which are 
mainly concerned with the cultural heritage issue are 
the archival, library, and museum institutions. Such 
is the case in The Netherlands, for instance, where 
these institutions take part in the specification of the 
Dutch national long-term cultural strategy, 
addressing the cultural-heritage-related issues (it is 
called in The Netherlands, Cultuurnota 
(http://www.cultuurnota.nl)). The situation in other 
countries (such as Bulgaria, for example) is similar. 
In the majority of the national cultural strategies the 
actuality of the cultural heritage issue is recognized, 
and especially the need to allow the cultural heritage 
sector adequately benefit from the current technical 
and technological possibilities. That is why more 
and more (EU) projects appear, addressing cultural-
heritage-related problems. An example of such a 
project is the DigiCult project (DigiCult, 2004). It is 
claimed (not only within this mentioned project) that 
the mere existence of technical and technological 
possibilities does not mean that they are 
straightforwardly utilizable, particularly in such a 
specific domain. What is required is that a clear 
perception of the original business (cultural heritage) 
is reflected in the technical/technological 
consideration. Otherwise, the (technical) support 
realized would only partially reflect the original 
requirements and its effect would be much limited. 
There are many examples for such partially 
successful cultural-heritage-related initiatives, such 
as the project American Memory 
(http://memory.loc.gov); it has delivered a digital 
collection of cultural materials. A gateway has been 
built to rich primary source materials relating to the 
history and culture of the United States of America. 
Through the web site of the project, one could 
access more than 7 million digital items from more 
than 100 historical collections. However, the project 
has not considered at all how the realized system 
could handle complex situations, such as dealing 
with different access levels. The project has not 
considered as well how such kind of system could be 
built for other analogous purposes and how it could 
operate in the context of a global cultural-heritage-
brokering environment. 
It is agreed in the cultural heritage community 
that a way to bring improvements in this direction is 
to succeed in designing (cultural-heritage-related) 
software systems which are soundly rooted in an 
adequate model of the original business reality. 
Thus, taking into account that: 
1. most of the current popular software design 
methods are insufficiently capable of adequately 
aligning business process modelling and software 
specification; and 
2. there is an approach proposed, namely the SDBC 
approach, which is reflecting this particular problem, 
we have been inspired to explore some strengths of 
SDBC, relevant to the cultural heritage sector. 
In the following section, we will present and 
partially illustrate our view on applying SDBC for 
solving some cultural-heritage-related problems. 
APPLYING SDBC IN THE CULTURAL-HERITAGE SECTOR
395