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Author: Lee Chie Tsang Isaiah

Affiliation: Faculty of Humanities, Arts and Heritage, Universiti Malaysia Sabah, Jalan UMS, 88400, Kota Kinabalu, Sabah, Malaysia., Malaysia

Keyword(s): Linangkit, Music-dance collaboration, Pattern, Transformation

Abstract: Formed by different layers of patterning of knots with colours and shapes, Linangkit refers to one of Sabah’s traditional Indigenous forms of embroidery. This paper discusses how these patterns are being transformed into musical materials as a way to extend my compositional practice to develop ideas for pitch and rhythmic organization and formal ideas, and as the basis for my fourth collaboration with the dancer Tang Sook Kuan building on the earlier experiences with gongs described in my earlier project called Interbreathment .

CC BY-NC-ND 4.0

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Paper citation in several formats:
Isaiah, L. (2020). Patterns of Transformation: Linangkit. In Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities - ICONARTIES; ISBN 978-989-758-450-3, SciTePress, pages 135-147. DOI: 10.5220/0008556101350147

@conference{iconarties20,
author={Lee Chie Tsang Isaiah.},
title={Patterns of Transformation: Linangkit},
booktitle={Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities - ICONARTIES},
year={2020},
pages={135-147},
publisher={SciTePress},
organization={INSTICC},
doi={10.5220/0008556101350147},
isbn={978-989-758-450-3},
}

TY - CONF

JO - Proceedings of the 1st International Conference on Interdisciplinary Arts and Humanities - ICONARTIES
TI - Patterns of Transformation: Linangkit
SN - 978-989-758-450-3
AU - Isaiah, L.
PY - 2020
SP - 135
EP - 147
DO - 10.5220/0008556101350147
PB - SciTePress